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Elton John - Madman Across The Water (1996) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Elton John - Madman Across The Water (1996) 96-24 Country: UK Genre: Pop Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:26 Full Size: 947.43 MB https://www.youtube.com/watch?v=nq4J_n6vMYo Download from [b]HotLink[/b] https://hotlink.cc/folder/b02ddfd0-3356-11ec-a971-0cc47ac4f47e -
Graham Nash & David Crosby - Graham Nash & David Crosby 1972 (2014) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Graham Nash & David Crosby - Graham Nash & David Crosby 1972 (2014) 96-24 Country: USA/UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 35:21 Full Size: 747.79 MB https://www.youtube.com/watch?v=P0VfvOXnS8w https://www.youtube.com/watch?v=TbvIE9MrWnw Download from [b]HotLink[/b] https://hotlink.cc/folder/c17a1f95-2dce-11ec-a971-0cc47ac4f47e -
Pink Floyd - The Wall 1979 (2021) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Pink Floyd - The Wall 1979 (2021) 96-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:20:46 Full Size: 1.65 GB Corealise par Roger Waters et David Gilmour, The Wall, onzieme album studio des Pink Floyd, sort au Royaume-Uni le 30 novembre 1979 chez Harvest et aux Etats-Unis le 8 decembre 1979 chez Columbia. C'est le dernier album studio du groupe forme de David Gilmour (guitare), Roger Waters (guitare basse et parolier), Richard Wright (claviers) et Nick Mason (batterie). En 1977, Waters - chanteur, bassiste, parolier, compositeur et arrangeur de Pink Floyd -, esquisse sur une feuille de papier le croquis d'un mur separant public et musiciens. Partant de cette projection, il fait appel a Bob Ezrin (producteur de Lou Reed, Alice Cooper, Kiss, etc) pour l'aider a concretiser son projet. C'est un double album au concept fort qui verra le jour et qui connaitra un succes massif - plus de trente millions de copies vendues. Reelle introspection de la vie de Waters, l'album mele fiction et realite a travers l'histoire de Pink, jeune rock star (qui symbolise en fait Waters lui-meme) en proie a ses demons et qui, petit a petit, construit un mur chimerique autour de lui pour se couper du monde. Cet opera-rock particulierement ambitieux porte essentiellement la marque emotionnelle de Roger Waters (evocation de son pere absent, de sa mere abusive et de la rigidite d'un systeme scolaire qui l'a traumatise a vie). The Wall a d'abord ete remasterise en 1994 au Royaume Uni par EMI. Puis en 1997 la firme Columbia remasterise a son tour l'album, avec une qualite de son superieure a celui d'EMI, pour le publier aux Etats-Unis, au Canada, en Australie, en Amerique du Sud et au Japon. Un peu apres le vingtieme anniversaire de l'album, Capitol relance en 2000 aux Etats-Unis l'edition de 1997 en reprenant le remastering europeen, et EMI en fait de meme au Canada, en Australie, en Amerique du Sud et au Japon. En 2011, l'album est soigneusement remasterise par James Guthrie (l'ingenieur du son et co-producteur de la version originale) et Joel Plante, au studio das boot recording situe a Lake Tahoe en Californie. © GG/Qobuz https://www.youtube.com/watch?v=HrxX9TBj2zY&list=OLAK5uy_nE3dmeYl_9Jgv2CT0aqufkDcyB6BBMcGM&index=5 Download from [b]HotLink[/b] https://hotlink.cc/folder/793fdde9-a8fc-11eb-a971-0cc47ac4f47e -
Procol Harum - A Salty Dog 1969 (2021) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Procol Harum - A Salty Dog 1969 (2021) 96-24 Country: UK Genre: Progressive Rock,Psychedelic Rock,Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:39 Full Size: 908.74 MB https://www.youtube.com/watch?v=PgI3gU_KolM https://www.youtube.com/watch?v=mOj3kJKy-_U Download from [b]HotLink[/b] https://hotlink.cc/folder/bd69c79e-334d-11ec-a971-0cc47ac4f47e -
Elton John - Goodbye Yellow Brick Road 1973 (1995) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Elton John - Goodbye Yellow Brick Road1973 (1995) 96-24 Country: UK Genre: Pop,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:16:26 Full Size: 1.65 GB Download from [b]HotLink[/b] https://hotlink.cc/folder/b02ddfd0-3356-11ec-a971-0cc47ac4f47e -
David Crosby & Graham Nash - Wind On The Water 1975 (2021) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
David Crosby & Graham Nash - Wind On The Water 1975 (2021) 96-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 40:55 Full Size: 887.77 MB As two of the most distinctive artists from the '60s and '70s given their work in CSNY, Crosby & Nash also did great work as a duo act. Wind on the Water was released in 1975 after the previous year's CSNY reunion tour and the dissolution of their contract at Atlantic. In many respects, this alliance made perfect sense. When it was just the two of them, they were often more likable. Crosby wasn't as much of a blowhard and Nash became more pragmatic. Wind on the Water's virtues are apparent with the first song, the warm and pensive single "Carry Me." "Homeward Through the Haze," "Low Down Payment," and "Naked in the Rain" are gems that all but sum up their complicated harmonic and melodic style. Besides Crosby & Nash being on their game, the studio players here are impeccable. Lovers of '70s pop/rock will love to hear players like Danny Kortchmar and David Lindley effortlessly doing their identifiable riffs. James Taylor, Carole King, and Jackson Browne also showed up for these sessions, but do not intrude or overshadow Crosby & Nash. Without a doubt, despite the strong production, the stars of the show here are Crosby & Nash. The album concludes with "To the Last Whale...: Critical Mass/Wind on the Water." The song is not only a testament to the album's skill at making the complex seem effortless, but it also gets its point across without being mushy. Wind on the Water has an instant classic, lived-in sound and is a definite must-have. https://www.youtube.com/watch?v=4k6jMZxFUI0&list=OLAK5uy_nLPn-4czT-zqkGBHvPHjkZzR71N_iDb-8&index=5 https://www.youtube.com/watch?v=BmJViUfocjE Download from [b]HotLink[/b] https://hotlink.cc/folder/c17a1f95-2dce-11ec-a971-0cc47ac4f47e -
Emerson, Lake & Palmer - Brain Salad Surgery [1973] (2016) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Emerson, Lake & Palmer - Brain Salad Surgery 1973 (2016) 96-24 Country: UK Genre: Progressive rock,art rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:44 Full Size: 959.72 MB https://www.youtube.com/watch?v=rSamwryXroo https://www.youtube.com/watch?v=JjIwdv8bmjI&list=OLAK5uy_k0hQMgNN7BQdyXhurRMojLEASGtZlbdGo Download from [b]HotLink[/b] https://hotlink.cc/folder/ad66d761-3350-11ec-a971-0cc47ac4f47e -
Procol Harum - Shine On Brightly 1968 (2021) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Procol Harum - Shine On Brightly 1968 (2021) 96-24 Country: UK Genre: Progressive Rock,Psychedelic Rock,Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 39:13 Full Size: 842.72 MB https://www.youtube.com/watch?v=mGBvb4WOxJw&list=OLAK5uy_kFNS3nVc3agFAL7M7MPHPozJSHIrKu52Q https://www.youtube.com/watch?v=n1Hx6yRkKXw&list=OLAK5uy_kFNS3nVc3agFAL7M7MPHPozJSHIrKu52Q&index=10 Download from [b]HotLink[/b] https://hotlink.cc/folder/bd69c79e-334d-11ec-a971-0cc47ac4f47e -
Them feat. Van Morrison - Them Again (Remastered) (2020) [96kHz/24bit]
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Them feat. Van Morrison - Them Again (Remastered) (2020) 96-24 Country: UK Genre: Blues Rock,Garage Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:54 Full Size: 813.43 MB Them Again is the second album by the Northern Irish band, Them, whose lead singer and songwriter was Van Morrison. The album was released by Decca Records in the UK on 21 January 1966 but it failed to chart. In the U.S. it was released in April 1966 where it peaked at #138 on the Billboard charts. "The group's second and, for all intents and purposes, last full album was recorded while Them was in a state of imminent collapse. To this day, nobody knows who played on the album, other than Van Morrison and bassist Alan Henderson, though it is probable that Jimmy Page was seldom very far away when Them was recording. The 16 songs here are a little less focused than the first LP. The material was cut under siege conditions, with a constantly shifting lineup and a grueling tour schedule; essentially, there was no "group" to provide focus to the sound, only Morrison's voice, so the material bounces from a surprisingly restrained "I Put a Spell on You" to the garage-punkoid "I Can Only Give You Everything." Folk-rock rears its head not only on the moody cover of Dylan's "It's All Over Now, Baby Blue" but also the Morrison-authored "My Lonely Sad Eyes," but the main thrust is soul, which Morrison oozes everywhere -- while there's some filler, his is a voice that could easily have knocked Mick Jagger or Eric Burdon off their respective perches." (Bruce Eder, AMG) https://www.youtube.com/watch?v=LviBwdfLn2Q Download from [b]HotLink[/b] https://hotlink.cc/folder/926ea4cd-ae77-11eb-a971-0cc47ac4f47e -
Them feat. Van Morrison - The "Angry" Young Them! (Remastered) (2020) [96kHz/24bit]
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Them feat. Van Morrison - The "Angry" Young Them! (Remastered) (2020) 96-24 Country: UK Genre: Blues Rock,Garage Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 38:56 Full Size: 727.42 MB The debut album by the group, also known as The Angry Young Them, and half its tracks make it a dead-on rival to the Stones' debut album, writes Bruce Eder for AllMusic. This reissue features the album's original British configuration ("Just a Little Bit," "I Gave My Love a Diamond," "Bright Lights, Big City," and "My Little Baby" are here; "One Two Brown Eyes" and "Here Comes the Night" are absent). Them were a Northern Irish band formed in Belfast in April 1964, known for the garage rock standard "Gloria" and launching singer Van Morrison's musical career. The original five member band consisted of Morrison, Alan Henderson, Ronnie Millings, Billy Harrison and Eric Wrixon. The group was marketed in the United States as part of the British Invasion. "Decca's willingness to release a full-length Them album was conditioned upon the breakthrough success of the band's third single, "Here Comes the Night." It was not, however, the practice in Britain at the time to put hit singles on albums, so this 14-track LP does not include that song. It does, however, contain six songs written by lead vocalist Van Morrison, including the immortal "Gloria" and "Mystic Eyes," which became a chart single in the U.S., plus some well-played R&B covers. Because of an annotation on the back of the LP, this album is sometimes referred to as The Angry Young Them, although its official title is Them." (William Ruhlmann, AMG) https://www.youtube.com/watch?v=bnPdIQbFHmM https://www.youtube.com/watch?v=5pSv9XWcSDE Download from [b]HotLink[/b] https://hotlink.cc/folder/926ea4cd-ae77-11eb-a971-0cc47ac4f47e -
Dream Theater - A View From The Top Of The World (2021) [96kHz/24bit]
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Dream Theater - A View From The Top Of The World (2021) 96-24 Country: USA Genre: Progressive Metal Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:10:14 Full Size: 1.52 GB After almost four decades, two Grammy Award nominations, millions of records sold and hundreds of shows performed, Dream Theater continue to approach each new record as if it were their first. On their fifteenth studio album, the upcoming 'A View from the Top of the World', this approach continues to prove fruitful with the New York quintet producing one of their best works to date. Within seven tracks, Dream Theater's exploration of the architecture of a song is once again realized. As is their gluttony for the diverse subject matter. On 'A View from the Top of the World', no single theme or thread interlinks this collection of songs. Evident in the dichotomy between the albums leading singles. Beginning with "The Alien", a nine-minute, sci-fi-influenced examination of the world from an extra-terrestrial point of view. Intricate in its jovial melodies, gliding through various time signatures with the same ease as a swallow through the air, "The Alien" offers a perfect window into both the album and the band. https://www.youtube.com/watch?v=V462IsOV3js https://www.youtube.com/watch?v=s0Wmg7Tq4Pk Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63e12e05ba498 -
David Gilmour - About Face (2006 Remaster) 1984 (2021) [96kHz/24bit]
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David Gilmour - About Face (2006 Remaster) 1984 (2021) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:45 Full Size: 943.2 MB David Gilmour released his second solo venture in 1984, following the apparent dissolution of Pink Floyd. He had released a record on his own in 1978, but About Face is much more accessible. Gilmour has a stellar band backing him, including Jeff Porcaro (drums), Pino Palladino (bass), and Anne Dudley (synthesizer). The songs on About Face show a pop sensibility that Pink Floyd rarely was concerned with achieving. Although the album didn't attract the attention of a Floyd release, several cuts did manage to get airplay. "Until We Sleep" is rife with shimmering synthesizers and cavernous drums, and "Blue Light" was a minor pop hit, with Gilmour's trademark delay-drenched guitar giving way to a driving, horn-laced rocker. Pete Townshend wrote two of the tracks: "Love on the Air" and the propulsive "All Lovers Are Deranged." Of course, there's more than enough of Gilmour's fluid guitar playing to satisfy, including the gorgeous "Murder," a gentle acoustic track that explodes with some fiery organ by Steve Winwood and concludes with a fierce coda. About Face is well-honed rock album that is riveting from beginning to end. © Tom Demalon /TiVo https://www.youtube.com/watch?v=xgcRhdXdhKk&list=OLAK5uy_mp5iKtmpz0L526m66PZOZT1dq7X9-sv-4&index=2 https://www.youtube.com/watch?v=7SGa0DpTl8Q&list=OLAK5uy_mp5iKtmpz0L526m66PZOZT1dq7X9-sv-4&index=6 Download from [b]HotLink[/b] https://hotlink.cc/folder/39c5d4c3-31ca-11ec-a971-0cc47ac4f47e -
David Gilmour - David Gilmour (2006 Remaster) 1978 (2021) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
David Gilmour - David Gilmour (2006 Remaster) 1978 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:41 Full Size: 1.01 GB https://www.youtube.com/watch?v=XZ6PVz-r26Y&list=OLAK5uy_lN1y8ZQU3IBWc0I0le3slF86aT_oG3jho&index=2 https://www.youtube.com/watch?v=RK18KpCCmx0&list=OLAK5uy_lN1y8ZQU3IBWc0I0le3slF86aT_oG3jho&index=6 Download from [b]HotLink[/b] https://hotlink.cc/folder/39c5d4c3-31ca-11ec-a971-0cc47ac4f47e -
David Gilmour - On An Island 2006 (2021) [96kHz/24bit]
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David Gilmour - On An Island 2006 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 51:40 Full Size: 1.03 GB To think that David Gilmour waited 22 years to record his third solo album is a pretty solid indicator that he's not the kind of bloke to merely cash in on his name. After all, he's the guy who sold his house for four million English pounds and gave the money to charity. Perhaps now that the Pink Floyd reunion happened and he and Roger Waters are at least civil to one another, the Floyd enigma can finally find its way into the annals of history and rock legend. This catches listeners up to On an Island. Those desiring something edgy and dramatic will have to wait. Gilmour wrote six of these ten tunes with his wife, Polly Samson, who also plays a bit of piano and sings. Musically, On An Island is mostly a laid-back, utterly elegant English record. It has the feel of taking place between twilight and dawn. There are a few rumblers to upset the overall balance of tranquility and stillness, like flashes of heat lightning across the dark skies; they add dimension and a quiet power to these proceedings. Produced by Gilmour, Phil Manzanera (who appears on keyboards), and Chris Thomas, the album features guest spots from the likes of Richard Wright, Robert Wyatt, B.J. Cole, Floyd/Sly Stone drummer Andy Newmark, Georgie Fame, David Crosby and Graham Nash, Jools Holland, Willie Wilson, and many others. The set opens with "Castellorizon," a moody showcase with Gilmour's guitars backed by the orchestral arrangements of Zbigniew Preisner as conducted by Robert Zeigler. Preisner's arrangements throughout are wonderful and not quite as dark as one might expect, given his track record. Atmospheric and dramatic, it offers a lovely if off impression of the album. The title track, which follows, is all breezy strummed chords, keyboards by Wright, and dreamy vocals with Gilmour backed by Crosby and Nash. It's a slow, textured, and spacy love song. "The Blue" follows suit; it too is so utterly full of air that one can hear the wind rustling through the palms. Wright's backing vocals lend a slight PF "Echoes" slant (as does the Hammond organ); the instrumentation just shimmers, hovers, and floats the track along. There are rockers here, though -- "Take a Breath" features chunky razor-wire chords, Leszek Mozdzer's piano, and Manzanera's synth work winding around one another, and the mood is wonderfully plodding, dramatic, and futuristically "heavy." On the gauzy wee-hours instrumental "Red Sky at Night," Gilmour plays sax as well as guitars, and it gives way to "This Heaven," a bluesy stroller that's given deluxe organ treatment by Fame. There's a delightfully nocturnal feel that makes the track feel a bit sinister, but really it's the sound of eros making itself heard, and Gilmour contributes a biting solo and fills amid the drum samples and strings. Wyatt appears on the back-porch spacehead soundtrack-like tripnotica of "Then I Close My Eyes." His and Gilmour's wordless voices slip under and around the considerable space between instruments -- which include Wyatt on cornet and percussion as well as Cole playing a Weissenborn guitar, Caroline Dale's cello, a pair of harmonicas, and of course Gilmour's high-register blues twang. The set ends on a gentle note in "Where We Start" -- so much so that it may make some scratch their heads and wonder where the cranky, diffident Gilmour has wandered off to, but others will be drawn into this seductive, romantic new place where musical subtlety, spacious textures, and quietly lyrical optimism hold sway. © Thom Jurek /TiVo https://www.youtube.com/watch?v=D8v8mHylVRA&list=OLAK5uy_nGwqy7yJhN62T_T5_IqGNnXnu_aPTGLhA&index=1 https://www.youtube.com/watch?v=ooPTpZPu7to&list=OLAK5uy_nGwqy7yJhN62T_T5_IqGNnXnu_aPTGLhA&index=2 Download from [b]HotLink[/b] https://hotlink.cc/folder/39c5d4c3-31ca-11ec-a971-0cc47ac4f47e -
Pink Floyd - The Dark Side of the Moon 1973 (2021) [96kHz/24bit]
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Pink Floyd - The Dark Side of the Moon 1973 (2021) 96-24 Country: UK Genre: Progressive rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 42:48 Full Size: 858.55 MB By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=pgXozIma-Oc&list=OLAK5uy_l1x-JAx0w53suECoCI0YJtW6VB8DBQWRQ&index=4 https://www.youtube.com/watch?v=-0kcet4aPpQ&list=OLAK5uy_l1x-JAx0w53suECoCI0YJtW6VB8DBQWRQ&index=6 Download from [b]HotLink[/b] https://hotlink.cc/folder/793fdde9-a8fc-11eb-a971-0cc47ac4f47e -
Pink Floyd - The Wall (2011 Remastered Version) 1979 (2021) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Pink Floyd - The Wall (2011 Remastered Version) 1979 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 01:20:19 Full Size: 1.94 GB Corealise par Roger Waters et David Gilmour, The Wall, onzieme album studio des Pink Floyd, sort au Royaume-Uni le 30 novembre 1979 chez Harvest et aux Etats-Unis le 8 decembre 1979 chez Columbia. C'est le dernier album studio du groupe forme de David Gilmour (guitare), Roger Waters (guitare basse et parolier), Richard Wright (claviers) et Nick Mason (batterie). En 1977, Waters - chanteur, bassiste, parolier, compositeur et arrangeur de Pink Floyd -, esquisse sur une feuille de papier le croquis d'un mur separant public et musiciens. Partant de cette projection, il fait appel a Bob Ezrin (producteur de Lou Reed, Alice Cooper, Kiss, etc) pour l'aider a concretiser son projet. C'est un double album au concept fort qui verra le jour et qui connaitra un succes massif - plus de trente millions de copies vendues. Reelle introspection de la vie de Waters, l'album mele fiction et realite a travers l'histoire de Pink, jeune rock star (qui symbolise en fait Waters lui-meme) en proie a ses demons et qui, petit a petit, construit un mur chimerique autour de lui pour se couper du monde. Cet opera-rock particulierement ambitieux porte essentiellement la marque emotionnelle de Roger Waters (evocation de son pere absent, de sa mere abusive et de la rigidite d'un systeme scolaire qui l'a traumatise a vie). The Wall a d'abord ete remasterise en 1994 au Royaume Uni par EMI. Puis en 1997 la firme Columbia remasterise a son tour l'album, avec une qualite de son superieure a celui d'EMI, pour le publier aux Etats-Unis, au Canada, en Australie, en Amerique du Sud et au Japon. Un peu apres le vingtieme anniversaire de l'album, Capitol relance en 2000 aux Etats-Unis l'edition de 1997 en reprenant le remastering europeen, et EMI en fait de meme au Canada, en Australie, en Amerique du Sud et au Japon. En 2011, l'album est soigneusement remasterise par James Guthrie (l'ingenieur du son et co-producteur de la version originale) et Joel Plante, au studio das boot recording situe a Lake Tahoe en Californie. © GG/Qobuz https://www.youtube.com/watch?v=HrxX9TBj2zY&list=OLAK5uy_nE3dmeYl_9Jgv2CT0aqufkDcyB6BBMcGM&index=5 https://www.youtube.com/watch?v=xe3NUKCnZp4&list=OLAK5uy_nE3dmeYl_9Jgv2CT0aqufkDcyB6BBMcGM&index=6 Download from [b]HotLink[/b] https://hotlink.cc/folder/793fdde9-a8fc-11eb-a971-0cc47ac4f47e -
Pink Floyd - A Momentary Lapse Of Reason (2019 Remix) 1987 (2021) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Pink Floyd - A Momentary Lapse Of Reason (2019 Remix)1987 (2021) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 51:04 Full Size: 1.12 GB Exit Roger Waters, le guitariste David Gilmour est seul (ou presque) au volant de la Rolls floydienne. En compagnie de Nick Mason, il entraine la semantique du groupe phare du rock progressif vers d'amples nappes a connotation new age et meditatives, mettant en exergue son jeu personnel. Malgre tout, les thematiques abordees ne sont pas si eloignees des ?uvres precedentes et A Momentary Lapse Of Reason est bien une planete de la galaxie Pink Floyd. © MD/Qobuz https://www.youtube.com/watch?v=nVhNCTH8pDs&list=OLAK5uy_nxLlW8Fl_u1IaN-XKaJNTXTv5rg5s2fYE&index=2 https://www.youtube.com/watch?v=dm9ipOgXNFw&list=OLAK5uy_nxLlW8Fl_u1IaN-XKaJNTXTv5rg5s2fYE&index=8 Download from [b]HotLink[/b] https://hotlink.cc/folder/793fdde9-a8fc-11eb-a971-0cc47ac4f47e -
Norah Jones - I Dream Of Christmas (2021) [96kHz/24bit]
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Norah Jones - I Dream Of Christmas (2021) 96-24 Country: USA Genre: Vocal Jazz,Holiday,Pop Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 42:21 Full Size: 896.09 MB Christmas music, which first became a common move for singers back in the 1950s, continues to exert a mystical pull on musicians from punk rockers to pop/jazz luminaries like Norah Jones. There are two paths to making a Christmas record: cover the classics or write your own tunes. Given that Christmas music is built on impossibly catchy one-hit wonders, and the list of successful songwriters includes such talents as Irving Berlin ("White Christmas"), Leroy Anderson ("Sleigh Ride") and Johnny Marks ("Rudolph, the Red-Nosed Reindeer"), the bar is high if you're banging out originals. On the other hand, presenting your version of the classics is equally daunting considering that you're following heavyweights like Frank Sinatra, Judy Garland, and Elvis Presley. Norah Jones decided to split the risk by molding classics into her style while also writing half an album of new Christmas originals. Twenty years past her early but still resonant hits like "Don't Know Why," and "Turn Me On" (both from blockbuster debut Come Away with Me) Jones makes her mark on the genre with the five tunes she penned, sometimes in collaboration with album producer Leon Michels. The single, a Jones original called "Christmas Calling (Jolly Jones)," is an enjoyably melodic holiday number. Her gospel-inflected "You're Not Alone" unfurls like a classic '60s country tune with an assembly of overdubs providing angelic vocals on the choruses and a pedal steel guitar ringing in the background. Pedal steel returns on "Winter Wonderland" where a synth sounds like timbales. The champ among the classics attempted, however, is "Christmas Don't Be Late" which gets a wonderfully slow, torchy arrangement. Memorable details include the oozy horns of Raymond Mason, Dave Guy and Leon Michels, the snare drum reverb, and Jones-singing her own harmonies-leaning into the "hula hoop" line. Vince Guaraldi's "Christmas Time Is Here," famous from the Peanuts cartoon, is a natural fit for Jones' piano-and-voice prowess. Berlin's "White Christmas'' gets a straight mid tempo cocktail jazz reading with Jones keeping up a brisk pace. On the other hand, the Elvis chestnut, "Blue Christmas'' gets an ultra-slow reading with Jones on piano and vocals, letting her impeccably tight vibrato stretch over this holiday lament. The other favorite that Jones makes her own is "Run Rudolph Run," best known as Chuck Berry's Christmas hit, which here benefits from a deep rhumba beat and reverb on her doubled vocals. Ever the mercurial talent, Jones' holiday dream is a worthy addition to the Christmas lexicon that's merry and bright and yet innovative where it counts. © Robert Baird/Qobuz https://www.youtube.com/watch?v=0iFK2NiyvDg https://www.youtube.com/watch?v=UyAv4tQTaTw Download from [b]HotLink[/b] https://hotlink.cc/folder/6477d9e4-2f44-11ec-a971-0cc47ac4f47e -
Dr. John - Ske-Dat-De-Dat.The Spirit Of Satch (2014) [96kHz/24bit]
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Dr. John - Ske-Dat-De-Dat.The Spirit Of Satch (2014) 96-24 Country: USA Genre: Jazz,Blues,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 58:24 Full Size: 1.32 GB https://www.youtube.com/watch?v=Ab23oyKYc4w https://www.youtube.com/watch?v=WwBumzEC2W4 Download from [b]HotLink[/b] https://hotlink.cc/folder/ae1fed3c-1890-11ec-a971-0cc47ac4f47e -
Dire Straits - Alchemy Live (2010) [96kHz/24bit]
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Dire Straits - Alchemy Live (2010) 96-24 Country: UK Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24bit] Time: 02:55:28 Full Size: 6.65 GB https://www.youtube.com/watch?v=mqiHnXBWaoY https://www.youtube.com/watch?v=8Pa9x9fZBtY Download from [b]HotLink[/b] https://www.keeplinks.org/p72/64f33430053be -
Rick Wakeman - The Red Planet (2020) [96kHz/24bit]
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Rick Wakeman - The Red Planet (2020) 96-24 Country: Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:50:48 Full Size: 3.84 GB https://www.youtube.com/watch?v=fPclkRI-1Dw https://www.youtube.com/watch?v=hGD7EKQv2Rw&t=32s Download from [b]HotLink[/b] https://hotlink.cc/folder/d82b33f0-2e8a-11ec-a971-0cc47ac4f47e -
Them (feat. Van Morrison) - The Complete Them 1964-1967 (2015) [96kHz/24bit]
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Them (feat. Van Morrison) - The Complete Them 1964-1967 (2015) 96-24 Country: UK Genre: Blues Rock,Garage Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 03:21:46 Full Size: 3.76 GB Them were one of the very best R&B acts to come out of the U.K. during the British Invasion era, as tight, wiry, and potent as their contemporaries the Rolling Stones, the Animals, and the Pretty Things. But as good as they were, their greatest strength was always their lead singer and main songwriter, Van Morrison, who even in his earliest days boasted a style that was raw and unapologetic but full of street smarts and imagination. Morrison's run with Them lasted a bit more than two and a half years, but it laid the groundwork for his wildly idiosyncratic solo career as well as setting a standard that the band would never equal after he left to strike out on his own. There have been plenty of collections devoted to Morrison's tenure with Them, but The Complete Them: 1964-1967 is not only comprehensive but has Van's seal of approval, as it was assembled by Morrison's own team and features liner notes from the man himself. Sequenced chronologically, The Complete Them devotes its first two discs to the group's two albums of the period, Them (aka The Angry Young Them) and Them Again, as well as non-LP single and EP tracks. Disc two is devoted to demos, alternate takes, and some live tracks cut for BBC Radio, nearly all of them previously unreleased. According to Morrison's notes, Them's lineup was never consistent, especially in the studio, as the group's producers often brought in studio musicians (including Jimmy Page) to beef up the performances, but the product was both consistent and strong, with razor-sharp guitars and swirling organs dominating the arrangements and Morrison's vocals sounding nearly possessed. Having essentially all of Them's studio recordings in one place is great, but the bonus material offers a glimpse of their power as a live act, and the outtakes and alternate versions reveal the growing sophistication of Morrison's approach over the course of 24 tracks. Morrison's essay offers as much opinion as it does fact, but given his well-documented reticence, the fact he wrote the notes at all is impressive, and when he sums up his notes with "I think of Them as good records...there's a lot of good stuff here," he's absolutely right. As a history of an underappreciated band's greatest era or the first steps of one of rock's most individual artists, The Complete Them: 1964-1967 is essential listening. https://www.youtube.com/watch?v=AnzKiA-sPdU https://www.youtube.com/watch?v=HfBZCfB7oCY&list=OLAK5uy_k9JIQudyh5TODzCfa1XLyiJEBg618cOfc&index=10 Download from [b]HotLink[/b] https://hotlink.cc/folder/926ea4cd-ae77-11eb-a971-0cc47ac4f47e -
David Crosby - If I Could Only Remember My Name (50th Anniversary) (2021) [96kHz/24bit]
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David Crosby - If I Could Only Remember My Name (50th Anniversary Edition) 1971 (2021) 96-24 Country: USA Genre: Rock,Folk rock Format: FLAC (*tracks) Quality: Lossless [96-192kHz/24bit] Time: 01:42:39 Full Size: 3.03 GB Singer-songwriter David Crosby's solo debut, If I Could Only Remember My Name, was dismissed by critics when it came out in 1971. Over the years, however, appreciation has grown for the album's adventurous aesthetic, stacked harmonies and haunting lyrics about loss and confusion. Billed as Crosby's solo debut, the album was anything but a one-man project. Instead, it was one of his most collaborative efforts, featuring an all-star cast of players that included members of the Grateful Dead, Jefferson Airplane, and Santana, along with Graham Nash, Joni Mitchell, Neil Young, and others. If I Could Only Remember My Name turned 50 earlier this year and Rhino is celebrating with a 2-CD set that includes the album lovingly remastered from the original analog tapes, accompanied by a bonus disc that features a dozen unreleased demos, outtakes, and alternative versions. The new remaster was overseen by original album engineer Stephen Barncard with restoration and speed correction using Plangent Processes. https://www.youtube.com/watch?v=n-JRj9mXvFk https://www.youtube.com/watch?v=SA05IYMsQYw Download from [b]HotLink[/b] https://hotlink.cc/folder/c17a1f95-2dce-11ec-a971-0cc47ac4f47e -
Santana - Blessings and Miracles (2021) [96kHz/24bit]
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Santana - Blessings and Miracles (2021) 96-24 Country: USA Genre: Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 56:45 Full Size: 1.23 GB On Blessings And Miracles, music legend and guitar master Carlos Santana delivers one of the most ambitious, inspired and flat-out magical records of his storied career. There's thrilling feats of bravura musicianship that pair the guitar master with fellow icons like Chick Corea and Steve Winwood, knockout rockers with Metallica's Kirk Hammett and Living Colour's Corey Glover, and genre-bending, hook-filled celebrations featuring Rob Thomas, Chris Stapleton, G-Eazy, American Authors and Ally Brooke, among others. Santana immersed himself in the creation of Blessings And Miracles over a two-year period, serving as producer and collaborating with record makers and writers such as Diane Warren, Narada Michael Walden, Chris Stapleton, Peter Stengaard and Gregg Wattenberg. It's an album full of revelations and epiphanies - through songs guaranteed to light up both radio playlists and concert stages. https://www.youtube.com/watch?v=zvSnAQhKYlk https://www.youtube.com/watch?v=V7EOgtKcPQo Download from [b]HotLink[/b] https://hotlink.cc/folder/543377ef-2d0e-11ec-a971-0cc47ac4f47e -
The Beatles - Let It Be (50th Anniversary, Super Deluxe) 1970 (2021) [96kHz/24bit]
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The Beatles - Let It Be (50th Anniversary, Super Deluxe) 1970 (2021) 96-24 Country: UK Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:44:22 Full Size: 3.24 GB The five volumes are yet another tantalizing glimpse into the band's storied creative process. Although the reception for the album was largely mixed on release-some reviewers savaged it-the songs in retrospect are nothing short of amazing; this is by no means bottom-of-the-barrel Beatles. Tunes like "Get Back," "Let It Be," and "The Long and Winding Road" are as good as anything the band ever wrote or recorded. The first volume here contains the original album in a fresh 96 kHz/24-bit remix that like the other Giles Martin-directed mixes is sharper and brighter than the original but not fundamentally different. The biggest aural change has Ringo Starr's drums brought up and forward in the mix, like in the previous reissues in the series. Perhaps most important about this edition of Let It Be is that after years of being bootlegged, Glyn Johns' 1969 Get Back mix has finally been officially released in improved sound and can now be fairly compared to the 1970 version. Deliberately jumbled, with lots of studio patter left in, and meant to be a window into the band's loose, humorous way of making music (or what they hoped to project as such), it still feels sloppy and unfinished, which may be why The Beatles-who waffled throughout the process and initially wanted that ambiance-rejected it in en masse. Johns' mix opens with "One After 909" (written by Paul and John as teenagers) and then proceeds through looser versions of "Don't Let Me Down" (with fabulous accompaniment from keyboardist Billy Preston) "Dig A Pony," and "I've Got a Feeling" with Lennon adding his usual silly, sardonic asides throughout. George Harrison's "For You Blue" opens with the sound of ice cubes swirling in a drink. McCartney's much maligned "Teddy Boy," which didn't make the final cut of Let It Be but became part of McCartney's first solo album, is heard here with Lennon's famous mocking "Do-Si-Do" background comment left intact. https://www.youtube.com/watch?v=y_Vn1oSnw5c https://www.youtube.com/watch?v=cgI9q1e9Wtw https://www.youtube.com/watch?v=hv_PuJWq5n4 Download from [b]HotLink[/b] https://hotlink.cc/folder/00e7181a-2d00-11ec-a971-0cc47ac4f47e
