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  1. Liam Gallagher - C'Mon You Know (Deluxe Edition) (2022) 48-24 Country: UK Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 51:56 Full Size: 654.32 MB https://www.youtube.com/watch?v=045SzeMuzv8 Download from [b]HotLink[/b] https://hotlink.cc/folder/205dbc8e-dd0c-11ec-a2c7-0cc47ac4f47e
  2. Opeth - In Cauda Venenum (2022 Extended Edition) (2019) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 02:45:09 Full Size: 1.82 GB In interviews before the release of In Cauda Venenum, Mikael Akerfeldt, Opeth's vocalist, guitarist, and chief songwriter, stated that "heaviness" was an aesthetic rather than a sound, to explain why he had abandoned death metal. Beginning with 2011's Heritage, Opeth made a conscious shift toward progressive rock that has, as evidenced here, become pervasive. This set is their first to be issued in English and Swedish editions. Sonically and musically, the album contains musical and production traits already evident on Heritage and Sorceress -- and to a lesser degree, on Pale Communion -- as organs, synths, Mellotron, acoustic guitars, syncopated rhythms, strings, choirs, and key changes are crafted into the band's two-guitar-bass-drum attack. But where the previous three studio albums were rife with experimentation, In Cauda Venenum is focused on a cohesively pre-arranged whole. It may be the fourth entry in their progressive evolution, but it's their first to deliver the full realization of the band's potential. These ten songs are laden with lush textures, painstakingly crafted melodies, unapologetic gothic overtones, startling dynamics, and visceral presence. Opeth may deliberately borrow inspiration from many sources, but they aren't trying to re-create them. The band recorded at Park Studios in Stockholm with all-analog gear and a goal: "to be as epic as possible." While set-opener "The Garden of Earthly Delights" is a three-and-a-half-minute Gothic intro; the first tune proper, "Dignity," is heavy as hell, with multi-tracked wordless choral choruses, swirling organs and Mellotron, sampled spoken voices, sound effects, popping drums, and spiky lead guitars. Its intense opening section gives way to fingerpicked acoustic, gently sung lyrics, and textural atmospherics before roaring back into riff-laden hard rock. "Heart on Hand," the other advance track, commences with a guitar-and-bass riff right out of "Immigrant Song," framing the cleanest, most emotionally resonant vocals in Akerfeldt's career before swirling into instrumental chaos and transforming itself into a lilting ballad in the final third. There are brutal moments here, too, in angular jams like "Charlatan," with its overdriven, filthy bassline. "Universal Truth" alternates between folk-inflected prog and spidery hard rock. The moody classical guitar and piano intro to "The Garroter" gives way to spooky, swinging dark jazz. While the sprightly keyboard and strummed guitar vamp on "Continuum" are a sinister musical perversity, they circle toward spiraling prog metal with the vocal and rhythmic section syncopations of Yes, then unwind into moody pastoral, poly-harmonic, folk-inflected Gothic rock. Though it emerges slowly, there is a biting crackle in the sweeping majesty of closer "All Things Pass." Akerfeldt's and Fredrik Akesson's guitars spiral and slash in a loss-saturated vibe colored by swirling organ, Mellotron, and crashing tom-toms, as Opeth buoy the singer whose lyric is drenched in loss and grief. On In Cauda Venenum, Opeth have thoroughly revisioned prog rock for the 21st century. While there are referents to the past, they have merely been folded into a brand of heavy music that reflects not progressive rock's history, but Opeth's enduring, evolving image. © Thom Jurek /TiVo https://www.youtube.com/watch?v=3FiZNuETUYM Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e
  3. Jade Warrior - Last Autumn's Dream (Remastered Edition) 1972 (2022) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 38:30 Full Size: 395.29 MB Formed in 1970, Jade Warrior were one of the most original British bands to emerge during the Progressive Rock era. The first incarnation of Jade Warrior featured Tony Duhig (guitars) and Jon Field (flutes, percussion), both of whom had been in the Psychedelic group July, and Glyn Havard (bass, vocals). Signing to the legendary Vertigo label, the band recorded their self-titled debut album in March 1971. A remarkable work, 'Jade Warrior' would be the template upon which the band would build their unique sound - venturing stylistically between ethnic music, melodic, gentle ethereal and ambient sounds and heavier guitar driven rock. By the time of the recording of this, their third album, in 1972, the band had expanded to a quartet with drummer Allan Price adding a new character to the band's sound. 'Last Autumn's Dream' was arguably the most fully realised album by Jade Warrior during their tenure with Vertigo Records, featuring such classic tracks as 'A Winter's Tale', 'Snake', 'Dark River' and 'Borne On The Solar Wind'. https://www.youtube.com/watch?v=uCF5Q1UYfeY&list=OLAK5uy_lw9jwbQEx8sG6eDx3QOZThCPTzHOuogcU&index=7 https://www.youtube.com/watch?v=RSTsFOyYc74 Download from [b]HotLink[/b] https://hotlink.cc/folder/4ce087f8-c7d2-11ec-a2c7-0cc47ac4f47e
  4. Halsey - Manic (Digital Expanded Edition) (2020) 44.1-24 Country: USA Genre: Alternative,Indie Pop,Electropop Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:23:02 Full Size: 971.1 MB As they were in the throes of completing their third studio album in 2019, Halsey told Rolling Stone the record would contain "hip-hop, rock, country, f***ing everything because it's so manic. It's soooooo manic." It was so manic, Halsey decided Manic was the right title for this high-profile album, the first they've released since 2017's Hopeless Fountain Kingdom helped turn them into a regular presence at the top of the charts. As it turns out, Manic is indeed an appropriate name for an album so filled with twists and turns it feels like a double-LP crammed into the course of a 47-minute record. Such a description is slightly misleading, though, suggesting that the album contains a series of distinct shifts in mood when it is very much a record of its moment, thrumming along to the tasteful shape-shifting hybrids that populate playlists of all genres. Listen closely, certain stylistic aspects assert themselves -- a fingerpicked guitar line rolls along here, there's a reggae bounce there -- and their choice of guest stars is telling. Alanis Morissette -- who is by some measures a clear precursor to Halsey -- vies with rapper Dominic Fike and Suga of K-pop sensations BTS for the splashiest cameo, with each of their appearances labeled as an "interlude." The lack of concrete song titles winds up emphasizing the presence of artists who cross genres, a clear sign of how Manic's seemingly scattershot appearance disguises that Halsey designed the album to appeal to as broad an audience as possible, streamlining all these sounds so they slide onto every conceivable playlist. It's a shrewd ploy that winds up not seeming crass thanks to Halsey's affectless emo bloodletting -- she never resists an opportunity to hit their target squarely on the nose, such as the "I'm so glad I never ever had a baby with you" refrain on "You Should Be Sad" -- and the clever way Manic is sequenced. The artiest, wobbliest songs start the record, followed by their saddest and starkest ballads, so it takes a while before it settles into its comfortable groove of adolescent angst doubling as AAA crossover pop. Such distinctions would be lost on the playlists individual tracks may later call home, but assembled in this fashion as a proper album, Manic showcases Halsey at their nerviest and at their best. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=8nBFqZppIF0&list=OLAK5uy_l6QK8fTSEZec6_jvhhDu1fmdM7a7ieYf4&index=4 https://www.youtube.com/watch?v=moleFybTAAc Download from [b]HotLink[/b] https://hotlink.cc/folder/cb0a9c63-6fea-11ec-a2c7-0cc47ac4f47e
  5. Tim Bowness - Late Night Laments (Bonus Tracks Edition) (2020) 44.1-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 56:53 Full Size: 593.1 MB https://www.youtube.com/watch?v=NMS_dfkZ3ws&t=2s Download from [b]HotLink[/b] https://hotlink.cc/folder/c5f37720-9668-11ec-a2c7-0cc47ac4f47e
  6. Tim Bowness - Lost in the Ghost Light - Stupid Things That Mean the World (Special edition) (2017) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:25:42 Full Size: 1.5 GB https://www.youtube.com/watch?v=O70NAIj69SI Download from [b]HotLink[/b] https://hotlink.cc/folder/c5f37720-9668-11ec-a2c7-0cc47ac4f47e
  7. Beth Hart - Better Than Home (Deluxe Edition) 2015 (2022) 88.2-24 Country: USA Genre: Blues,Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 56:29 Full Size: 1.01 GB Better Than Home is the seventh solo studio album by American singer-songwriter Beth Hart. Hart's husband and her manager convinced her to work with the production team of Rob Mathes and Michael Stevens, whom she had met when she performed at the Kennedy Center Honors in 2012. Hart had worked with Kevin Shirley for her last three albums, but she was persuaded to try a different team and go a different direction. The production team challenged Hart to leave behind the darker themes and to "write more about my joy and what I believe in and what my love is." Hart was pushed to write songs that came from a different source, from when she was happy or having a good time. One song on the album, "Tell Her You Belong to Me", took her a year and a half to write. "Hart explores new realms on Better Than Home, both creatively and production-wise. In addition to balancing sensitive songwriting topics with moments of hope and reflection, Hart also found new producers in Michael Stevens and Rob Mathes, both of whom Hart met after performing at the Kennedy Center Honors in 2012. Better Than Home shows Hart moving forward as a musician and songwriter." (Meghan Roos, bluesrockreview.com) "Separating from producer Kevin Shirley for the first time in three records, Beth Hart chose to work with Rob Mathes and Michael Stevens for 2015's Better Than Home. A change in producers helped Hart change direction, letting her depart from the down-and-dirty blues belting she specialized in throughout her time with Shirley, reconnecting slightly to her singer/songwriter beginning while emphasizing deep soul roots. Despite opening with the tight Memphis groove of "Might as Well Smile," most of the album is grandly introspective -- majestic brooding ballads with a clear debt to early Elton John. This cinematic landscape provides a nice contrast to Hart's raw, nervy vocals, accentuating the aching in her delivery. This emotional immediacy compensates for the sometimes elliptical songs, songs that take a little while to settle, but the risks Hart's taken on Better Than Home pay off: this is a distinctive, ambitious record that takes advantage of her natural talents in surprising ways." (Stephen Thomas Erlewine, AMG) https://www.youtube.com/watch?v=QnbDIgQLQwI&list=OLAK5uy_lWqtdHYgwsDtId-WdkNKQ9oF7itJyvOGA&index=11 https://www.youtube.com/watch?v=nM2N4BeRkFE&list=OLAK5uy_lWqtdHYgwsDtId-WdkNKQ9oF7itJyvOGA&index=9 Download from [b]HotLink[/b] https://hotlink.cc/folder/989b985b-957f-11ec-a2c7-0cc47ac4f47e
  8. Jon Batiste - We Are (The Deluxe Edition) (2021) Artist...............: Various Artists Album................: We Are (The Deluxe Edition) Genre................: Funk / Soul, Pop Source...............: CD Year.................: 2021 Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Codec................: LAME 3.99 Version..............: MPEG 1 Layer III Quality..............: Insane, (avg. bitrate: 320kbps) Channels.............: Joint Stereo / 44100 hz Tags.................: , ID3 v2.3 Playing Time.........: 56:11 Total Size...........: 134,37 MB 01 - Jon Batiste - I Need You 02:35 02 - Jon Batiste - Freedom 02:57 03 - Jon Batiste - Cry 03:55 04 - Jon Batiste - Boy Hood 04:25 05 - Jon Batiste - Sing 03:11 06 - Jon Batiste - We Are 04:24 07 - Jon Batiste - Tell The Truth 03:22 08 - Jon Batiste - Adulthood 03:43 09 - Jon Batiste - Whatchutalkinbout 02:20 10 - Jon Batiste - Mavis 00:20 11 - Jon Batiste - Freedom (big Freedia Remix) 02:52 12 - Jon Batiste - Tell The Truth (uptown Remix) 03:15 13 - Jon Batiste - Movement 11’ 02:01 14 - Jon Batiste - Work It Out 03:04 15 - Jon Batiste - Adulthood 03:42 16 - Jon Batiste - Show Me The Way 03:40 17 - Jon Batiste - Sing 03:09 18 - Jon Batiste - We Are (montmartre Remix) 03:19 19 - Jon Batiste - Until 01:04 Password = (8oTT(8ati)08) Brackets are included, just copy and paste. Links are interchangeable if the file is splitted. https://www.mediafire.com/file/k8verlyv9owv8m5/JBWA.rar/file or https://workupload.com/file/y2ZNMAFNZ6v or https://1fichier.com/?advvg5h9ajd94ng2f0gk or https://krakenfiles.com/view/T1kCZyHDn8/file.html
  9. Gov't Mule - Revolution Come... Revolution Go (Deluxe Edition) (2017) 88.2-24 Country: USA Genre: Blues,Blues Rock Format: FLAC (*tracks) Quality: Lossless [88,2 kHz/24 bit] Time: 01:53:47 Full Size: 2.15 GB In the four-year interim between Gov't Mule studio albums, guitar boss Warren Haynes has been busy: He played on the final Allman Brothers Band tour, paid tribute to Jerry Garcia with a symphony orchestra, issued an Americana-esque solo album, and played on James Cotton's Cotton Mouth Man. That said, no other music he makes resonates in the same way as what he creates with Gov't Mule (co-founder and drummer Mat Abts, keyboardist/guitarist Danny Louis, and bassist Jorgen Carlsson). Revolution Come...Revolution Go began on election night 2016. The band had their own ideas about the outcome, but as the night wore on, their worst fears came true and influenced the direction of the music here. The title doesn't pin the definition of "revolution" down to one topic, it's a verb, noun, adjective, and metaphor in Gov't Mule's dictionary; it describes everything from trends in music and social unrest to historical events and political and spiritual upheaval. The music here is heavy -- Mule heavy -- but also offers a host of other flavors and textures to expand the palette to dynamic effect. Opener "Stone Cold Rage" finds Haynes' mutating a James Gang vintage guitar vamp to suit Mule's purposes. Louis' swirling organ and Carlsson's distorted basslines are pushed forward by Abts' uncommonly funky breakbeats. The tune struts, swaggers, and pummels. "Drawn That Way" is a thundering blues-rocker that draws down on personal accountability. The musical change-ups here make this a standout. There's the slow, soulful "Pressure Under Fire" -- an exhortation to refute the mistakes of the past with collective tolerance and respect which contains an authority worthy of an Old Testament prophet. Likewise, the gospel-tinged R&B of "The Man I Want to Be," the Muscle Shoals-styled country of "Dreams & Songs," and the gritty, jazzy soul-funk of "Sarah, Surrender" offer different dimensions of the Southern-crusted rockist blues that is Gov't Mule's trademark. The latter tune contains Haynes' finest vocal performance on this or any other record he's been on, and he's assisted by the backing trio of Alecia Chakour, Jasmine Muhammad, and Bobby Allende. The abstract blues-jazz title track is bound to become a live staple for its suite-like structure. Guitarist Jimmie Vaughan lends a hand in adding earth to Haynes' fire on the psychedelic blues "Burning Point." The set closes with Carlsson's arrangement of Blind Willie Johnson's "Dark Was the Night Cold Was the Ground." It commences as a moaning drone, with slide guitar, piano, woozy bass, and rumbling drums, but erupts in a mind-melting, screaming Hendrixian blues overloaded with wah-wah and slide guitars for an apocalyptic finish. Revolution Come... Revolution Go is easily Gov't Mule's most urgent record, but their call to arms isn't preachy; instead, righteous anger is refracted through the lens of empathy. It is also a fresh reboot of the band's sound, offering excellent songwriting and arrangements; it sounds more like a group effort than anything they've released. The message is that the revolution is within you: Hear it, believe it, become it. © Thom Jurek /TiVo https://www.youtube.com/watch?v=oKqaqpi5T-A https://www.youtube.com/watch?v=eIyjR4OxVns&list=OLAK5uy_nnR744FqH4B8j_tPKAeCfATee6tEA8kmc&index=8 Download from [b]HotLink[/b] https://hotlink.cc/folder/f4434aef-4389-11ec-a971-0cc47ac4f47e
  10. Voivod - The Wake (Deluxe Edition) (2018) 48-24 Country: Canada Genre: Progressive Thrash Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:28:40 Full Size: 1.13 GB In 2018, Voivod's 14th studio album, The Wake, is upon us. The band's original members, drummer Michel "Away" Langevin and vocalist Denis "Snake" Belanger, find themselves reinvigorated and reenergized by the presence of guitarist Daniel "Chewy" Mongrain and new bassist Dominic "Rocky" Laroche. Mongrain, now celebrating ten years in the band, has done a more than respectable job replacing original guitarist, the ever-beloved Denis "Piggy" D'Amour. His contribution to the making of The Wake was as integral to the new album as was Piggy's leadership during his reign. The Wake steers the Voivod spacecraft through a tangled, tantalizing storyline, woven into the most maze-like, edge-of-your-seat musical experience the band have embarked upon since those heady days of the late '80s. Songs such as "The End of Dormancy," "Iconspiracy" and "Spherical Perspective" churn and twist in such a way that no Voivod devotee could possibly have wished for more https://www.youtube.com/watch?v=hCuSHngMy-g Download from [b]HotLink[/b] https://hotlink.cc/folder/fc9f9706-8a73-11ec-a2c7-0cc47ac4f47e
  11. Tears For Fears - The Tipping Point (Limited edition) (2022) [5.1] 48-24 Country: UK Genre: Synthpop, New Wave, Alternative Rock, Pop Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 42:03 Full Size: 1.25 GB For their first album in 18 years, Tears for Fears sound completely revitalized and as beautiful and engaging as ever. Remarkably, it's fueled in part by the 2017 death of Roland Orzabal's wife and partner of many years and his denial about losing her. "I think that when you've been close to someone for decades, they are living within you as well as without," he has said. "And consciously I did not believe she would die, though subconsciously I was, without doubt, preparing for the inevitable, arming myself against the future shock." The title track is shimmering and mysterious, with strident drums and alien beeps but also vocals like a soothing balm. "Winter done, they'll soon be gone/ From this unforgiving place/ To that vague and distant void/ Where the sunlight splits the eye," Orzabal sings of that threshold from life to death. It is heartbreaking, but also hopeful. "Please Be Happy" is incredibly candid-and one of their prettiest tracks: "These days it's like a wave is breaking over you/ Dragging you in with the undertow/ If you lay among the graves you will see other ghosts." And "No Small Thing," about facing the heartbreak of losing your love, is a stunner. Stripped-back acoustic guitar builds to the dreamy psychedelia Tears for Fears has always done so well, the whole thing swelling to a bursting-the-seams crescendo by the end. "Long, Long, Long Time" shows how the duo have always been masters of dynamics, its hymn-like organ giving way to a monster chorus; the song also reminds you just how much Sam Smith owes Curt Smith for their angelic style. "Master Plan" giddily dips into the band's longtime love of Sgt. Pepper-era Beatles, and "Break the Man" is catchy jangle pop touched with moody strings. "My Demons," meanwhile, is a nasty piece of work, in the best way (one akin to Depeche Mode's "Personal Jesus"), with Orzabal drilling the doomed lyrics: "Why is my name in lights when my name is spelled wrong . People always find you when your cell phone is on." Smith comes in to sweeten up the chorus, but he sounds thrillingly stretched to his limits as the rhythm gallops like a sweating horse. Put The Tipping Point on the shelf next to Joan Didion's The Year of Magical Thinking for times of crisis. © Shelly Ridenour/Qobuz https://www.youtube.com/watch?v=yUp-ujO979U https://www.youtube.com/watch?v=iemvnxDjrBY Download from [b]HotLink[/b] https://hotlink.cc/folder/81bedadf-9582-11ec-a2c7-0cc47ac4f47e
  12. Marillion - Brave (Deluxe Edition) 1994 (2018) 96-24 Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 03:15:23 Full Size: 3.91 GB https://www.youtube.com/watch?v=XyMO3ExiFNw Download from [b]HotLink[/b] https://hotlink.cc/folder/98087b6c-12d5-11ec-a971-0cc47ac4f47e
  13. Karen Dalton - In My Own Time (50th Anniversary Edition) 1971 (2022) Country: USA Genre: Folk, Country,Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:06:26 Full Size: 1.17 GB A half-century after the release of Karen Dalton's cult classic second album, In My Own Time sounds as magical as it always has; it was never-despite the album's title-that she was ahead of her time, but rather not of this world. Which is not to say she was some ethereal creature. After a whole life lived in her teenage years, married twice and with two kids, Dalton moved from Oklahoma to New York City to be part of the Greenwich Village 1960s folk scene alongside the likes of Tim Hardin and Neil Young. Bob Dylan called her one of his favorites, saying "Karen had a voice like Billie Holiday." She reportedly hated the comparison, though you get why Dylan made it: it's the weary ache and that slim silver thread of hope that remains. You can hear it on her cover of George Jones' "Take Me;" the piano flutters like it needs a fainting couch, but Dalton turns the quiet plea into something wistful rather than desperate. "Take me to Siberia and the coldest weather of the winter time/ And it would be just like spring in California," she sings, drawing out that last word like it's some impossible oasis. (By then, Dalton had had two teeth knocked out in a fight between boyfriends.) It's in her jaunty delivery of the Holland-Dozier-Holland's "How Sweet It is" and her interpretation of Richard Manuel's psychedelic country-rock "In a Station," Dalton blowing like wind through some desolate space. And lord knows it's in her most famous song, the Scottish folk traditional "Katie Cruel." Helped along by high-lonesome banjo, it's as haunted as they come. "When I first came to town, they called me the roving jewel," Dalton sings, managing to make it sound like she's not broken by it all. "Now they've changed their tune, call me Katie Cruel." Credit her wavery, light-refracted voice and the way it reflects both a fragility of nature and a hardscrabble strength of circumstance. (While the story of folkie Fred Neil secretly recording Dalton's first album by not telling her the tape was running has been romanticized, it's also exploitative and manipulative.) Dalton, who would disappear after In My Own Time, battled heroin and alcohol addiction and died at age 55 after an AIDS diagnosis. But her influence carries on, in Angel Olsen, Lucinda Williams, Sharon Van Etten, Courtney Barnett and Nick Cave, to name a few. This new expanded and remastered edition includes alternate takes of "In My Own Dream," "Something on Your Mind" and "Katie Cruel." The latter two light a small fire under the beat, but find Dalton less declarative, like she's consoling a friend in hushed tones. There are also several live tracks. "Take Me," captured in April 1971 in Germany, is so intimate it's disarming, Dalton's voice cracking on the line "like heaven to me." But there is strength-an almost defiance-on the songs from her Montreaux performance a month later, even in "Blues on the Ceiling" when she predicts she'll "Never get out of these blues alive." © Shelly Ridenour/Qobuz https://www.youtube.com/watch?v=Na6XVgIvkeA https://www.youtube.com/watch?v=NzkhFFvLWEA&list=OLAK5uy_ntErliJaccbqaxE4lb3NjuXu8Kev84_S0&index=7 Download from [b]HotLink[/b] https://hotlink.cc/v6mes27i6fck/Karen.Dalton.-.In.My.Own.Time.50th.Anniversary.Edition.1971.2022.rar
  14. Jack Lancaster & Robin Lumley - Marscape 1976 (Expanded & Remastered Edition) (2022) 96-24 Country: Genre: Fusion,Jazz-Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 52:49 Full Size: 1.03 GB Newly remastered of the wonderful 1976 album 'Marscape' by Jack Lancaster And Robin Lumley. This excellent album was recorded and released in 1976 and was composed and conceived to mark the landing on Mars of Nasa's Viking 2 Explorer in September of that year. For the sessions, saxophonist and woodwind player Jack Lancaster and keyboard player Robin Lumley were joined by John Goodsall on guitars, Percy Jones on bass and Phil Collins on drums. The finished album was an incredible work and paved the way for the formation of the acclaimed group Brand X soon after. This new edition of 'Marscape' has been remastered from newly discovered original master tapes. "Lancaster is the former sax player in Blodwyn Pig, but this album is better-known for its side-players: Robin Lumley, John Goodsall, Percy Jones, Phil Collins, Morris Pert... in short, Brand X! Fans of Brand X actively search out this album expecting a pre-Brand X Brand X album. Well, yes and no. One can certainly hear the Brand X style in embryonic form on some songs, but we must remember, this is really Lancaster's show. Lancaster primarily plays sax, but he also plays a lot of Lyricon, an early wind synthesizer. Sometimes, it's hard to tell which synth lines were played by Lumley or Lancaster, although others have a definite "reedy" quality to their sound (i.e., you can tell by the phrasing that the notes came out of a wind instrument and not a keyboard). Other guest appearances include Penguin Cafe Orchestra mainstay Simon Jeffes on koto, while vocalist Bernie Frost graces some songs with his eerie falsetto, though none of the songs has any lyrics. The songs fall into two distinct categories: 1) Soft and atmospheric with gentle melodies expressed on sax/Lyricon/flute backed by Lumley's keyboards (usually piano) and 2) Jazz-fusion somewhat in the Mahavishnu mold with prominent sax and energetic rock backing. The latter passages are those which will be of greatest interest to Brand X fans, Percy Jones' distinctive bass playing being most prominent. One can't help but wonder if the program music on this album was perhaps originally intended to be a soundtrack of some sort. Worth getting if you know what to expect." (Mike Ohman) https://www.youtube.com/watch?v=Mgw6CYEaVzo&list=OLAK5uy_mYCuEaRcyVo5HDXwvOTHDLxtczk9ByRd8&index=5 https://www.youtube.com/watch?v=d6RkNA9vJk0 Download from [b]HotLink[/b] https://hotlink.cc/5q0lmxad3g1j/Jack.Lancaster..Robin.Lumley.-.Marscape.1976.Expanded..Remastered.Edition.2022.96-24.rar
  15. Gov't Mule - Heavy Load Blues (Deluxe Edition) (2022) 96-24 Country: USA Genre: Blues,Blues Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:00:28 Full Size: 2.36 GB "For me, personally, it's kind of been on my list of things to do for years. I didn't know if it was gonna be a solo album or a Gov't Mule record. We play some traditional blues on stage from time to time and although it's usually never more than a few songs per show, our approach to the blues is unique and based on our collective chemistry as a band. This album gave us a mission. Although in some way it was 'anything goes,' we wanted to stay true to the spirit of the blues in a traditional sense. It's not a blues/rock record - it's a blues record. We wanted it sonically to sound different from a normal Gov't Mule record." - Warren Hayne https://www.youtube.com/watch?v=UJzINC4RftY https://www.youtube.com/watch?v=L-MGNC7G5tg Download from [b]HotLink[/b] https://hotlink.cc/folder/f4434aef-4389-11ec-a971-0cc47ac4f47e
  16. Sabaton - The War To End All Wars (History Edition) (2022) 48-24 Country: Sweden Genre: Heavy,Power Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 48:30 Full Size: 640.05 MB https://www.youtube.com/watch?v=JHsciHB-oek https://www.youtube.com/watch?v=m-yrjYF3I8U Download from [b]HotLink[/b] https://hotlink.cc/folder/8562e51a-52b0-11ec-a2c7-0cc47ac4f47e
  17. Label: Concord Records Genre: Synthpop, New Wave, Alternative Rock, Pop Rock Quality: Blu-ray Audio Video: MPEG-4 AVC Video / 11986 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1 Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz / 4808 kbps / 24-bit Audio: English / Dolby TrueHD/Atmos Audio / 7.1 / 48 kHz / 6505 kbps / 24-bit Time: 00:42:07 Size: 11.15 GB Tracklist: Tears For Fears' album, The Tipping Point, is available exclusively via the SDE shop on the blu-ray audio format* with both a Dolby Atmos mix and a 5.1 surround mix, both by musician and remixer extraordinaire Steven Wilson. This product is limited to 2,000 copies worldwide and is the only way to get these spatial audio mixes on a physical product. The album is truly stunning and Steven Wilson's Dolby Atmos / 5.1 mixes take it to the next level. This is the only way to enjoy these spatial audio mixes of The Tipping Point via a physical product and the DTS HD 5.1 mix of the album is totally 01. No Small Thing 02. Tipping Point 03. Long, Long, Long Time 04. Break The Man 05. My Demons 06. Rivers of Mercy 07. Please Be Happy 08. Master Plan 09. End of Night 10. Stay via filejoker.net, rapidgator.net https://rapidgator.net/file/b52e4d01936b6b5841ec26dac64f32e1 https://rapidgator.net/file/9eba5d48b2eaacce5902b7e177df4a8c https://rapidgator.net/file/5b459901fcedc69111b28d0b93b247d4 https://rapidgator.net/file/c76197a04b2e6f76ff0f539d4ca955ee https://rapidgator.net/file/53f5fcfb054162a5cb04dfe9ef0c675c https://rapidgator.net/file/f80d7ae0967dfd4df054e70c74b34f23 https://filerice.com/iq6bch5qrvbi/Tipping.Point.part1.rar https://filerice.com/qi0rqj9l1lhv/Tipping.Point.part2.rar https://filerice.com/k9t2j96pssvj/Tipping.Point.part3.rar https://filerice.com/xzq1gx4vzore/Tipping.Point.part4.rar https://filerice.com/55r7k58pkt92/Tipping.Point.part5.rar https://filerice.com/cdh9w9o3socl/Tipping.Point.part6.rar https://fikper.com/EAM1W0zG3l https://fikper.com/76cldBypvm https://fikper.com/YB0F1Dwy9r https://fikper.com/boZNBOZPO7 https://fikper.com/6DmnhkLTCl https://fikper.com/pbS9Xnpao2
  18. Scorpions - Return to Forever (France Tour Edition) (2015) 44.1-24 Country: Germany Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44.1 kHz/24 bit] Time: 01:13:51 Full Size: 952.63 MB https://www.youtube.com/watch?v=UALNE6-sjoU https://www.youtube.com/watch?v=ZgbmDMNu42s Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63ee5197ce62b
  19. Marillion - An Hour Before It's Dark (Limited Edition) (2022) [5.1] 96-24 Country: UK Genre: Progressive Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 54:08 Full Size: 2.65 GB https://youtu.be/2IkXFx9LJDQ https://youtu.be/RA7Dl7TTrOQ Download from [b]HotLink[/b] https://hotlink.cc/folder/98087b6c-12d5-11ec-a971-0cc47ac4f47e
  20. Marillion - Script for a Jester's Tear (Deluxe Edition) (2020) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:50:31 Full Size: 3.54 GB https://www.youtube.com/watch?v=T-HiO1qPd2c Download from [b]HotLink[/b] https://hotlink.cc/folder/98087b6c-12d5-11ec-a971-0cc47ac4f47e
  21. Marillion - An Hour Before It's Dark (Ultimate Edition) (2022, BDRip 1080p) Title: Marillion - An Hour Before It's Dark (Ultimate Edition) Year of release: 2022 Genre: Rock Released: Edel Germany Cast: Marillion Tracklist: Rich and optimistic: Marillion's new album British prog-rockers Marillion are set to release a new album in early 2022. "An Hour Before It's Dark" is the name of the band's 20th studio record, the follow-up to their 2019 orchestral album "Marillion With Friends From The Orchestra." Back in September, the band announced, "The recording process is now complete and Michael Hunter will begin mixing in the next few days. As a collection of songs, it sounds very strong. All five of us are very excited about what we've created, and Lucy [Jordache, manager] says 'it surpasses FEAR.' True praise." Six new songs were recorded by Steve Hogarth (lead and backing vocals, keyboards), Steve Rothery (lead and rhythm guitars), Mark Kelly (keyboards), Pete Trewavas (bass, background vocals) and Ian Mosley (drums) for "An Hour Before It's Dark" at Peter Gabriel's Real World Studios. The result is an album about the problems and opportunities of our time and, according to Hogarth, is musically rich and perhaps their most optimistic work in many years. CD 01. Be Hard on Yourself (I) the Tear in the Big Picture (3:52) 02. Be Hard on Yourself (II) Lust for Luxury (2:07) 03. Be Hard on Yourself (III) You Can Learn (3:29) 04. Reprogram the Gene (I) Invincible (3:32) 05. Reprogram the Gene (II) Trouble-Free Life (2:01) 06. Reprogram the Gene (III) a Cure for Us? (1:29) 07. Only a Kiss (0:39) 08. Murder Machines (4:21) 09. The Crow and the Nightingale (6:35) 10. Sierra Leone (I) Chance in a Million (1:33) 11. Sierra Leone (II) the White Sand (0:53) 12. Sierra Leone (III) the Diamond (3:30) 13. Sierra Leone (IV) the Blue Warm Air (2:24) 14. Sierra Leone (V) More Than Treasure (2:35) 15. Care (I) Maintenance Drugs (4:37) 16. Care (II) an Hour Before It'S Dark (2:28) 17. Care (III) Every Cell (3:19) 18. Care (IV) Angels on Earth (4:56) Blu-ray 01. Be hard on yourself 02. Reprogram the gene 03. Only a kiss (Instrumental) 04. Murder machines 05. The crow and the nightingale 06. Sierra Leone 07. Care Quality: BDRip 1080p Video: MPEG-4 AVC Video / 10.972 Kb/s / 1920x1080 / 23.976 fps / 16:9 Audio: English / FLAC Audio / 2.0 / 96 kHz / 2700 kbps / 24-bit Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 6930 kbps / 24-bit Audio: English / FLAC Audio / 2.0 / 96 kHz / 2608 kbps / 24-bit Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 6705 kbps / 24-bit Subtitles: English, Spanish Total Size: 12.79 GB Total Time: 00:55:14 Download Hoster: hitfile.net, rapidgator.net, turbobit.net https://filecrypt.cc/Container/57DF143C1F.html Pass: 689
  22. Marillion - An Hour Before It's Dark (Ultimate Edition) (2022, Blu-ray) Title: Marillion - An Hour Before It's Dark (Ultimate Edition) Year of release: 2022 Genre: Rock Released: Edel Germany Cast: Marillion Tracklist: Rich and optimistic: Marillion's new album British prog-rockers Marillion are set to release a new album in early 2022. "An Hour Before It's Dark" is the name of the band's 20th studio record, the follow-up to their 2019 orchestral album "Marillion With Friends From The Orchestra." Back in September, the band announced, "The recording process is now complete and Michael Hunter will begin mixing in the next few days. As a collection of songs, it sounds very strong. All five of us are very excited about what we've created, and Lucy [Jordache, manager] says 'it surpasses FEAR.' True praise." Six new songs were recorded by Steve Hogarth (lead and backing vocals, keyboards), Steve Rothery (lead and rhythm guitars), Mark Kelly (keyboards), Pete Trewavas (bass, background vocals) and Ian Mosley (drums) for "An Hour Before It's Dark" at Peter Gabriel's Real World Studios. The result is an album about the problems and opportunities of our time and, according to Hogarth, is musically rich and perhaps their most optimistic work in many years. CD 01. Be Hard on Yourself (I) the Tear in the Big Picture (3:52) 02. Be Hard on Yourself (II) Lust for Luxury (2:07) 03. Be Hard on Yourself (III) You Can Learn (3:29) 04. Reprogram the Gene (I) Invincible (3:32) 05. Reprogram the Gene (II) Trouble-Free Life (2:01) 06. Reprogram the Gene (III) a Cure for Us? (1:29) 07. Only a Kiss (0:39) 08. Murder Machines (4:21) 09. The Crow and the Nightingale (6:35) 10. Sierra Leone (I) Chance in a Million (1:33) 11. Sierra Leone (II) the White Sand (0:53) 12. Sierra Leone (III) the Diamond (3:30) 13. Sierra Leone (IV) the Blue Warm Air (2:24) 14. Sierra Leone (V) More Than Treasure (2:35) 15. Care (I) Maintenance Drugs (4:37) 16. Care (II) an Hour Before It'S Dark (2:28) 17. Care (III) Every Cell (3:19) 18. Care (IV) Angels on Earth (4:56) Blu-ray 01. Be hard on yourself 02. Reprogram the gene 03. Only a kiss (Instrumental) 04. Murder machines 05. The crow and the nightingale 06. Sierra Leone 07. Care Quality: Blu-ray Video: MPEG-4 AVC Video / 39700 kbps / 1080p / 23.976 fps / 16:9 / High Profile 4.1 Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 6930 kbps / 24-bit Audio: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit Audio: English / DTS-HD Master Audio / 5.1 / 96 kHz / 6705 kbps / 24-bit Subtitles: English, Spanish Total Size: 38.67 GB Total Time: 02:24:14 Download Hoster: hitfile.net, rapidgator.net, turbobit.net https://filecrypt.cc/Container/2C47932399.html Pass: 689
  23. Marillion - Script for a Jester's Tear ( Deluxe Edition) (2020) FLAC Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless Time: 02:50:27 Full Size: 1.16 GB Download from [b]HotLink[/b] https://hotlink.cc/folder/98087b6c-12d5-11ec-a971-0cc47ac4f47e
  24. Gong - Camembert Electrique (Remastered Edition) 1971 (2015) 96-24 Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 39:15 Full Size: 863.13 MB https://www.youtube.com/watch?v=IA7LwmmK9r8 https://www.youtube.com/watch?v=M69KyR-uf84&list=OLAK5uy_mmN0fjletHpeFf6ieBas9Ts9UjodynrzY&index=4 Download from [b]HotLink[/b] https://hotlink.cc/folder/f9c8aea3-90d6-11ec-a2c7-0cc47ac4f47e
  25. Jethro Tull - The Zealot Gene (Deluxe edition) 5.1 48-24 Country: UK Genre: Progressive Rock,Folk Rock Format: FLAC 5.1 (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 46:49 Full Size: 1.36 GB https://youtu.be/1APwlHY50vo https://youtu.be/lsQJl8tXO1Y Download from [b]HotLink[/b] https://hotlink.cc/folder/b0100ed0-dff8-11eb-a971-0cc47ac4f47e
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