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Stevie Nicks (Fleetwood Mac) - Complete Studio Albums & Rarities (2023) [192kHz/24bit]
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Stevie Nicks - Complete Studio Albums & Rarities (2023) [Hi-Res] Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44.1-192kHz/24 bit] Time: 09:06:06 Full Size: 11.84 GB https://www.youtube.com/watch?v=tZUJS1KDSHw https://www.youtube.com/watch?v=y3KQKVJzdNo Download from HotLink https://www.keeplinks.org/p72/645a915460288 -
Christine McVie (Fleetwood Mac) - In the Meantime (2023 Remaster) [48kHz/24bit]
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Christine McVie (Fleetwood Mac) - In the Meantime (2023 Remaster) (2004) 48-24 Country: UK Genre: Rock, Pop Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 53:34 Full Size: 692.71 MB https://www.youtube.com/watch?v=hC3_J6zHV_k https://www.youtube.com/watch?v=Ij1W-Qn0bJ0 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/64b6d64e8ab2f -
Christine Mcvie (Fleetwood Mac) - Songbird (A Solo Collection) (2022) [192kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Christine Mcvie (Fleetwood Mac) - Songbird (A Solo Collection) (2022) 192-24 Country: UK Genre: Rock,Pop Format: FLAC (*tracks) Quality: Lossless [192 kHz/24 bit] Time: 42:46 Full Size: 1.69 GB It's great cosmic justice that the least flamboyant member of the Nicks/Buckingham version of Fleetwood Mac is also the one who contributed many of the band's best songs, including "Say You Love Me," "Over My Head," "Don't Stop" and the divine, "Songbird." Only that last tune, in greatly altered form, appears on this compilation that focuses on Christine McVie's two solo albums, Christine McVie (1984) and especially, In The Meantime (2004). The decision not to include anything from her first band Chicken Shack's two albums, her self-titled solo debut, or any of her Fleetwood Mac material outside of the title track keeps this from being a more complete picture of her singing, piano playing and often breathtaking songwriting. Licensing challenges are likely culprits for the lack of Fleetwood Mac material, but the omission of her biggest solo hit, the very Mac-esque "Got a Hold on Me" from her debut (which featured the talents of Lindsey Buckingham, Steve Winwood and Steve Ferrone) is mystifying. What's here though has been fully remixed by producer Glyn Johns (The Rolling Stones, The Beatles) who tinkered with levels and moved instruments around in the mix without changing the originals in hugely obvious ways. This collection also contains two unreleased tracks-the bouncy guitar-led "Slow Down," which was originally written and recorded for the 1985 film American Flyers but went unused, and the heartbreak ballad "All You Gotta Do," a duet McVie wrote and recorded with the late George Hawkins (whose bass is heard on all but one of the album's songs). Originally left unfinished, "All You Gotta Do" was completed by adding Ricky Peterson on organ and Glyn Johns' son, Ethan on drums and guitar. Most interesting is the orchestral version of "Songbird" where the brilliantly talented arranger and composer Vince Mendoza builds a lush string setting around McVie's original vocals from the Rumours session to give the song an even more ethereal, slightly less lonely feel than the original. The results are utterly spectacular. © Robert Baird/Qobuz https://www.youtube.com/watch?v=rkO5VCpbc1E https://www.youtube.com/watch?v=_uC9NtKh__8 Download from [b]HotLink[/b] https://hotlink.cc/folder/d7f55eac-a901-11eb-a971-0cc47ac4f47e -
Lindsey Buckingham (Fleetwood Mac) - Lindsey Buckingham (2021) [44.1kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Lindsey Buckingham (Fleetwood Mac) - Lindsey Buckingham (2021) 44.1-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 36:33 Full Size: 460.67 MB It is positively spooky how consistently interesting Lindsey Buckingham's 30-year solo career has been. For a musician whose core creative philosophy seems rooted in the way art emerges from dramatic chaos, his own output-both within and without Fleetwood Mac-always manages to be immediately familiar and completely surprising. And although it's been ten years since his last proper solo album, his 2017 collaboration with Christine McVie (featuring Mick Fleetwood and John McVie) felt more like "Buckingham with guests" than the "Fleetwood Mac without Stevie Nicks" album the lineup suggested, as it leaned heavily on Buckingham's unique vocal and guitar phrasings. However, when confronted with a true Lindsey Buckingham solo effort-as in, "written, performed, and produced by"-it's abundantly clear just how differently he thinks when left to his own devices. For a man who turns 72 in October, 2021, and is among the most famous rock musicians alive, it's remarkable just how weird and fearless he still is. The tenor and textures here are uniquely his, as is the distinct approach to multi-tracked self-harmonies, drum machine programming, and slightly off-kilter layers of instrumentation that evoke a mood that somehow is both claustrophobic and exploratory. It's an "in-the-box" sound that's less rock-oriented than 2011's Seeds We Sow (Buckingham calls it "pop," but it most definitely is not, despite how catchy some of the tunes are here), and more aligned with the coke-sheen new wave he was making on Mirage and Law and Order in the early '80s. And while a cut like "Blind Love" blatantly revisits the drum pattern of "Trouble," Buckingham has reconfigured the approach into something stranger and much more introspective here. Frenetic harmonies and digidrum patterns on a track like "Swan Song" show an artist in anxious conversation with himself. Some may be a bit disappointed that there's not a tremendous amount of guitar here, but when it does show up, it's mightily impressive; Buckingham flexes his fingerpicking skills on the glitchy and melodic "I Don't Mind" and the, er, electric "Power Down," both brisk reminders of what an underrated and unique player he is. Of course, it's not the '80s anymore, and for an artist exiled from the band that made him famous and looking at his eighth decade on the planet, it's probably not surprising that the lyrics here can get a little melancholy. "On the Wrong Side" is an explicit exploration of old age, but in typical Buckingham fashion, it's a bit askew and maybe a little cynical, while the more direct and melancholy "Dancing," closes the album out on a somber note of poetic reflection. © Jason Ferguson/Qobuz https://www.youtube.com/watch?v=selaVY2iYQ0 https://www.youtube.com/watch?v=M-IKgoPjv00 Download from [b]HotLink[/b] https://hotlink.cc/folder/d7f55eac-a901-11eb-a971-0cc47ac4f47e Download from [b]DaoFile[/b] https://daofile.com/go/an9vc94qgst4