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  1. Bobby Weir & Wolf Bros - Live in Colorado, Vol. 2 (2022) 44.1-24 Country: USA Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:15:43 Full Size: 862 MB How fast should a Grateful Dead song be played? There is perhaps no question that has occupied Deadheads' time and consumed more emotion over the last 20 or so years, ever since bassist Phil Lesh and guitarist Bob Weir reunited the band after Jerry Garcia's 1995 death. The tempo wars have claimed several versions of the post-Garcia Dead, and if the question seems banal, it nevertheless conceals irreconcilable philosophical differences. For Lesh, these songs are meant to pump with energy, swirling up the audience in a psychedelic dervish. For Weir, they should be played slowly, with purpose and focus, "an audio playlet that needed to sink into the audience's mind," as writer Joel Selvin puts it. The music of the Grateful Dead, in Weir's formulation, is bigger, vaster, and contains sweeping views; why speed through it? On Weir's second official release with his Wolf Bros project, Live in Colorado, Vol. 2, he stages some of the most beloved material in the Grateful Dead's catalog with the passion and reverence of a couple spending their 50th anniversary looking back on their wedding day. It's a striking set, one that does justice to Weir's vision without ever succumbing to the sense of drag that can occasionally topple Dead & Company, the stadium-touring band he fronts with John Mayer. As is typically the case with Weir's solo work, there is no lead guitarist, and thus no attempt to dig around in the DNA of these songs to discover what else they might contain. Leaning instead on bassist Don Was, keyboardist Jeff Chimenti, and especially drummer Jay Lane, Weir's arrangements expand these songs outward, their scope and sense of majesty evoked by the horns, strings, and pedal steel of the accompanying Wolfpack ensemble. There's never a question as to where we might be going, only an offhanded awe at how stately this music turns out to be. Much of the album's grace is owing to the pleasant contrast between Weir's late style as a rhythm guitarist and the slickness of the band. His instrument is constantly buzzing, and he doesn't strum it so much as brush at it in a way that makes it sound like a live wire being batted with a feather. He can be halting, sometimes a touch behind the beat, frequently rough as he roots around the edges of the songs in search of new rhythmic pathways. It's a winningly hardheaded mode of playing, one that comes from having abandoned the concept of perfection or completion decades ago, and the romantic swirl of the band mimics the emotion of his playing if not the tone. It's strangely comforting to hear them polish Merle Haggard's "Mama Tried" as if Weir's blocky soloing is a totally normal way for a guitar to sound in a country song. https://www.youtube.com/watch?v=ClCwkSJRABE https://www.youtube.com/watch?v=cYusCg3KP9U Download from [b]HotLink[/b] https://hotlink.cc/folder/a22bb6af-4fce-11ed-a2c7-0cc47ac4f47e
  2. Bobby Weir & Wolf Bros - Live In Colorado {2022} 44.1-24 Country: USA Genre: Rock,Blues Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:20:54 Full Size: 903.6 MB Bobby Weir & Wolf Bros: Live In Colorado features a collection of songs recorded at the band's live performances at the historic Red Rocks Park Amphitheatre in Morrison, Colorado and the Gerald R. Ford Amphitheater in Vail, Colorado on June 8, 9, 11, 12, 2021. These shows were the group's first live audience concerts in over a year and featured Greg Leisz on pedal steel, along with The Wolfpack: Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling and Sheldon Brown. "Been too long," Weir said of the performances, "but I can't think of a better place to pick it back up." Weir explains "I've been workin' in my spare time on expanding the sonic coloration of the songs I do. The Wolfpack is basically a step toward full orchestration - and further, I gotta say, these guys are game. We worked on the arrangements a bit but eventually we needed to trot it all out and play it for folks - and right at that moment, the folks in Colorado reached out and told us they were gonna open up. Holy Shit, WTF? Let's Go." Third Man Records says "When Don approached us about this project of course we all jumped at the opportunity. The whole live music experience is so important to everyone here at Third Man Records and the chance to work with a few of the all time greats, well it seems like a miracle." https://www.youtube.com/watch?v=K7nNZSFKlVo https://www.youtube.com/watch?v=_DvYxNiMi1k Download from [b]HotLink[/b] https://hotlink.cc/folder/a22bb6af-4fce-11ed-a2c7-0cc47ac4f47e
  3. Bobby Bird's Grooving Soul Express - Leverkusener Jazztage'95 (2022) HDTV Screenshots: Setlist: 01 - Hang Ups 02 - Sunshine 03 - I Know You Got Soul 04 - Unknown Info: Source: Lineage: Vu+Solo2 DVB-S2 satellite receiver -> HDD -> Videoredo TV Suite 4 -> .ts file format Genre: Soul | Jazz Quality: HDTV | 720p Format: TS | 14.2Mbps Length: 00:59:00 | 6.54Gb Video: H.264 | 1280x720 | 16:9 (4:3)| 50.000fps Audio: AC3 | 448kbps | 48kHz | 2 channels: L R Language: English Capped by me Download: Uploadgig.com, Upload42.com, pass: 345 Attention: Files are subject to expiration and can be automatically deleted if their not downloaded 30 days after the last download.
  4. Bobby Gillespie (Primal Scream) & Jehnny Beth (Savages) - Utopian Ashes (2021) 44.1-24 Country: UK Genre: Alternative rock,Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:39 Full Size: 459.68 MB What do you get when the man behind Primal Scream's "Kill All Hippies" and the woman responsible for the careening wail of brutal Savages tracks like "No Face" make a record together A genteel, sophisticated, and emotionally resonant album about the devastation of a broken romance, of course. While a soft rock album may not be the first thing one would expect from Bobby GIllespie and Jehnny Beth, it's actually quite easy to find a throughline to this material from both the classic-rock slow jams in Primal Scream's catalog and the balladry found on Jehnny Beth's 2016 solo release. Still, when one discovers the Utopian Ashes aren't that of a civilization destroyed by consumerism and conservatism, but instead of a once-blissful relationship now on its last legs, it is something of a pleasant surprise. With a band lineup that's basically Primal Scream plus Jehnny Beth and her longtime collaborator Johnny Hostile, Utopian Ashes feels both connected to and entirely apart from any of their previous output, with strings and brass and lush guitar work providing the construction materials for songs that are as moody as they are heartfelt. The first verse on the album has the line "I don't even love you anymore," and the refrain repeats throughout the song; amazingly, the ache and despondency devolves even further from there, with lyrics that are conceptually strong and character-driven but not confessional. Both artists paint a picture of this dissolute relationship from a unique perspective-the man's is self-pitying, entitled, and woeful, while the woman's is that of long-suffering optimism. Politics are largely avoided here; "English Town" uses small-minded provincialism as a stand-in for the doldrums of late-stage relationships, and that's about it. Instead, most of the lyrics are straightforward depictions of betrayal, sadness, and thwarted redemption. Gillespie takes the lead on almost all of the songs, but when Jehnny Beth steps up, it's with a surprising plaintiveness that's deftly complementary to the mid tempo achiness that defines the album, most notably on the out-and-out mopey "Your Heart Will Always Be Broken." The album peaks with the country-tinged back-and-forth duet of "You Can Trust Me Now" and the sweeping, melodramatic "Living a Lie," a one-two punch that sounds like everything is gonna be alright between our distraught couple, only to reveal that, no, it's still a disaster. As it closes with the louche desperation of "Sunk In Reverie," the inherent nihilism of our couple's romance becomes unmistakable, and it's clear that this is a tale that could only have been told by these two artists. © Jason Ferguson/Qobuz https://www.youtube.com/watch?v=52MA--ueeRo https://www.youtube.com/watch?v=me_UI2l3b14 Download from [b]HotLink[/b] https://hotlink.cc/folder/66df80c3-e598-11eb-a971-0cc47ac4f47e
  5. Nana Mouskouri - Nana - Arranged and Conducted By Bobby Scott (2017) .Mp3 320 Kbps Artist...............: Nana Mouskouri Album................: Nana - Arranged and Conducted By Bobby Scott Genre................: Pop, Jazz Source...............: CD Year.................: 2017 Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Codec................: LAME 3.99 Version..............: MPEG 1 Layer III Quality..............: Insane, (avg. bitrate: 320kbps) Channels.............: Stereo / 44100 hz Tags.................: ID3 v1.1, ID3 v2.3 Playing Time.........: 49:07 Total Size...........: 112,49 MB 1. Nana Mouskouri - Johnny [02:54] 2. Nana Mouskouri - Half A Crown [05:10] 3. Nana Mouskouri - Just A Ribbon [03:53] 4. Nana Mouskouri - If You Love Me "Really Love Me" [02:47] 5. Nana Mouskouri - The Love We Never Knew [03:34] 6. Nana Mouskouri - I Love My Man [02:24] 7. Nana Mouskouri - Ballinderrie [02:25] 8. Nana Mouskouri - I Gave My Love A Cherry [03:22] 9. Nana Mouskouri - He Don't Know Me [02:19] 10. Nana Mouskouri - Tiny Sparrow [03:26] 11. Nana Mouskouri - My Kind Of Man [03:07] 12. Nana Mouskouri - Un homme est venu [02:01] 13. Nana Mouskouri - Dindi [03:22] 14. Nana Mouskouri - My Colouring Book [02:49] 15. Nana Mouskouri - My Lover [02:36] 16. Nana Mouskouri - The One That Got Away [02:51] Password = [8:Ot(8)T0.8] Square brackets are included, just copy and paste. Workupload support multiple simultaneous download https://workupload.com/file/tL3CzDc
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