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antonsm

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  1. antonsm
    Steely Dan - Countdown to Ecstasy 1973 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:08 Full Size: 895.58 MB Can't Buy a Thrill became an unexpected hit, and as a response, Donald Fagen became the group's full-time lead vocalist, and he and Walter Becker acted like Steely Dan was a rock & roll band for the group's second album, Countdown to Ecstasy. The loud guitars and pronounced backbeat of "Bodhisattva," "Show Biz Kids," and "My Old School" camouflage the fact that Countdown is a riskier album, musically speaking, than its predecessor. Each of its eight songs have sophisticated, jazz-inflected interludes, and apart from the bluesy vamps "Bodhisattva" and "Show Biz Kids," which sound like they were written for the stage, the songs are subtly textured. "Razor Boy," with its murmuring vibes, and the hard bop tribute "Your Gold Teeth" reveal Becker and Fagen's jazz roots, while the country-flavored "Pearl of the Quarter" and the ominous, skittering "King of the World" are both overlooked gems. Countdown to Ecstasy is the only time Steely Dan played it relatively straight, and its eight songs are rich with either musical or lyrical detail that their album rock or art rock contemporaries couldn't hope to match. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=IRdj9eTp6X0&list=OLAK5uy_lPcobq5ryh58LkDRksI_oi5Ap_hsoS-CU&index=1 https://www.youtube.com/watch?v=rFnwczuvb74&list=OLAK5uy_lPcobq5ryh58LkDRksI_oi5Ap_hsoS-CU&index=6 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63c8298774a35
  2. antonsm
    Steely Dan - Pretzel Logic 1974 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:47 Full Size: 720.36 MB }Countdown to Ecstasy wasn't half the hit that Can't Buy a Thrill was, and Steely Dan responded by trimming the lengthy instrumental jams that were scattered across Countdown and concentrating on concise songs for Pretzel Logic. While the shorter songs usually indicate a tendency toward pop conventions, that's not the case with Pretzel Logic. Instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date. Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay. Listen to how the album's hit single, "Rikki Don't Lose That Number," opens with a syncopated piano line that evolves into a graceful pop melody, or how the title track winds from a blues to a jazzy chorus -- Becker and Fagen's craft has become seamless while remaining idiosyncratic and thrillingly accessible. Since the songs are now paramount, it makes sense that Pretzel Logic is less of a band-oriented album than Countdown to Ecstasy, yet it is the richest album in their catalog, one where the backhanded Dylan tribute "Barrytown" can sit comfortably next to the gorgeous "Any Major Dude Will Tell You." Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=UBxZFadp9Pw Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63c8298774a35
  3. antonsm
    David Gilmour - David Gilmour In Concert (2002) [48kHz/24bit] Country: UK Genre: Acoustic, Progressive Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:43:09 Full Size: 1.07 GB In Concert of Pink Floyd guitarist David Gilmour's solo concert at the Royal Festival Hall, London in June 2001, as part of the Robert Wyatt-curated Meltdown festival. It also features additional tracks recorded during three concerts at the same venue in January 2002. The track selection includes several Pink Floyd compositions in addition to Gilmour's solo works. Guest appearances are made by Floyd colleague Richard Wright, as well as Robert Wyatt and Bob Geldof. It includes the first ever performance of "Smile" a track which would appear almost five years later on Gilmour's third solo album - On an Island, and Gilmour even plays a few Syd Barrett compositions. Also included is "Je crois entendre encore" ("I still believe I hear"), an aria from Georges Bizet's opera Les pêcheurs de perles (The Pearl Fishers), with a libretto by Eugène Cormon and Michel Carré, and sung by Gilmour in the original French. https://www.youtube.com/watch?v=TDfKRDYE3w0 https://www.youtube.com/watch?v=lKKLqnN8iVU Download from [b]HotLink[/b] https://hotlink.cc/folder/39c5d4c3-31ca-11ec-a971-0cc47ac4f47e
  4. antonsm
    King Crimson - Live In Chicago 28 June 2017 (2017) [96kHz/24bit] Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:35:50 Full Size: 3.22 GB https://www.youtube.com/watch?v=OfR6_V91fG8 Download from [b]HotLink[/b] https://hotlink.cc/folder/97c2d5a3-61a8-11ec-a2c7-0cc47ac4f47e
  5. antonsm
    Metallica - Luzhniki Stadium, Moscow, Russia - 21 July 2019 (2019) 48-24 Country: USA Genre: Thrash metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 02:27:23 Full Size: 1.82 GB https://www.youtube.com/watch?v=ezWfnZutIjI Download from [b]HotLink[/b] https://www.keeplinks.org/p72/643a98c2ab385
  6. antonsm
    Feuerschwanz - Das Elfte Gebot (Deluxe Version) (2020) 44.1-24 Country: Germany Genre: Folk Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:09:47 Full Size: 876.47 MB https://www.youtube.com/watch?v=yTypkLfDgMo https://www.youtube.com/watch?v=taw21xo8YSg&list=PLidIjcybOMhw_kouL_zLSH9EKODNjMnW0&index=4 Download from [b]HotLink[/b] https://hotlink.cc/folder/2c203a99-68c1-11ec-a2c7-0cc47ac4f47e
  7. antonsm
    Feuerschwanz - Memento Mori (Deluxe Version) (2021) 44.1-24 Country: Germany Genre: Folk Metal/Rock/Folk Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:44:49 Full Size: 1.29 GB "Memento Mori heißt das neue Album der Mittelalter-Folk-Rocker FEUERSCHWANZ, welches inhaltlich und musikalisch direkt an Das Elfte Gebot anknüpft. Der Albumtitel ruft zur Selbstreflexion über die eigene Existenz auf und konfrontiert mit menschlicher Vergänglichkeit. Auf Memento Mori vollbringen FEUERSCHWANZ endgültig den Schritt weg vom simpleren Humor früherer Tage, hin zu einer der bedeutendsten Bands im Deutschen Folk-Rock. https://www.youtube.com/watch?v=FiC5LOtNaSw https://www.youtube.com/watch?v=1ib54-mVnGw Download from [b]HotLink[/b] https://hotlink.cc/folder/2c203a99-68c1-11ec-a2c7-0cc47ac4f47e
  8. antonsm
    Jethro Tull - Benefit (The 50th Anniversay Enhanced Edition) (2021) [DVD9] Label: Chrysalis [0190295201616] Country: UK Genre: Prog Rock Quality: DVD9 Video: MPEG2 VIDEO / 720*480 (16:9) / NTSC / 29.97 fps / 5390-6054 (9800) kbps Audio: AC3 / 448 kbps / 48.0 khz / 6 ch Audio: DTS / 754 kbps / 48.0 khz / 6 ch Audio: PCM / 1536 kbps / 48.0 khz / 2 ch Time: 01:23:00 Full Size: 5.07 GB The 1970 Tanglewood Concert On Video With Steven Wilson's Setlist: https://youtu.be/yRj0w_heMpM https://youtu.be/TNCEIGgyIS4 https://hotlink.cc/folder/a49854bc-5a1c-11eb-834d-0cc47ac4f47e
  9. antonsm
    Dio - Holy Diver (2015) [96 kHz/24bit] Country: UK Genre: Hard'n'Heavy Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:36 Full Size: 957.02 MB https://www.youtube.com/watch?v=2lvs2FzF64o Download from [b]HotLink[/b] https://hotlink.cc/folder/c2d05232-601f-11ec-a2c7-0cc47ac4f47e
  10. antonsm
    The Smashing Pumpkins - Oceania (2012) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:00:03 Full Size: 1.28 GB Following up on, and in many ways amending, much of the bombastic overcompensation of 2007's Zeitgeist, Smashing Pumpkins 2012 release Oceania is an exuberant, gloriously melodic, fluid return to form for Billy Corgan. While Zeitgeist certainly contained many of the elements that make for a classic Smashing Pumpkins release -- including slabs of distorted guitars, passionate vocals, and poetic lyrics, not to mention drummer Jimmy Chamberlin, who was the sole remaining original member besides Corgan and who subsequently left the band -- there was something cold and perhaps a bit too calculated about the production. Ultimately, Zeitgeist didn't do much to dissuade audiences that Corgan, undeniably the mastermind behind the best Pumpkins work, was now overvaluing his abilities in an attempt to recapture fans disillusioned by his various side projects. Thankfully, none of these concerns are applicable to Oceania. Ostensibly an "album within an album" of the greater 44-track Teargarden by Kaleidyscope concept project, Oceania works as a stand-alone album. Conceptual conceits aside, these are some of the most memorable and rousing songs Corgan has delivered since 1993's Siamese Dream, the album that Oceania most closely mirrors in tone and aesthetic. Which isn't to say that Corgan is treading old ground; on the contrary, there is something fresh and inspired about the songs on Oceania. Admittedly, kicking the album off with the heavy psychedelic acid rock groove of "Quasar" -- in which Corgan croons several EST-era-style affirmations including, "God right on! Krishna right on! Mark right on!" -- is a move that almost begs comparisons to Smashing Pumpkins' euphoria-inducing 1991 single "Siva." A similar sentiment comes to mind with the latter album rocker "The Chimera," a classic rock-sounding groover that sparkles with crisscross laser-beam guitar lines recalling the jewel-toned guitar heroics of Queen's Brian May. But these are welcome comparisons, born out of Corgan finally delivering a gorgeous and cohesive set of songs that balance some his more arch, cerebral inclinations with his generously romantic and sweepingly cinematic gift for revelatory guitar rock. Elsewhere, we get the soaring "Panopticon" and the minor-key, prog rock-inflected drama of "Violet Rays." However, Oceania is perhaps best represented by the euphoric mid-album ballad "Pinwheels." Starting with a repeated keyboard line and building to swells of acoustic and electric guitar before settling into one of the most swoon-worthy melodic anthems Corgan has ever written, "Pinwheels," much like the rest of Oceania, is a masterpiece of pop songcraft and rock production. As Corgan croons on the song's chorus, "Sister soul, lovers of the tune, sing!/I got you/I got you." On Oceania, the Smashing Pumpkins definitely have us. © Matt Collar /TiVo https://www.youtube.com/watch?v=zxT8DxeGwXM&list=PLC3AC3E75CD868726&index=2 https://www.youtube.com/watch?v=qq84yOspghQ&list=PLC3AC3E75CD868726&index=11 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63d7e28d59ed7
  11. antonsm
    Tangerine Dream - Probe 6-8 (2021) 48-24 Country: Germany Genre: Electronic,Ambient Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 39:54 Full Size: 459.47 MB Tangerine Dream have been a fundamental influence on electronic music since Edgar Froese founded the band in West Berlin in 1967. Providing the groundwork for multiple electronic music genres including ambient and electronica, inspiring musicians and other art forms, with seven Grammy nominations to their credit. In recent years their music has featured in the popular TV shows such as Stranger Things and video games including Grand Theft Auto. The last few months have seen Tangerine Dream, in their Berlin studio space, working on new material - the EP "Probe 6-8", their follow-up release to 2017's critically acclaimed "Quantum Gate" album. Classic studio productions and late-night real-time compositions became the blueprint for slowly evolving ambient structures. The band's sequencer-drived sound in the tradition of the early '70s work was combined with lush 1980s crystalline bliss. Thorsten Quaeschning, Hoshiko Yamane and Paul Frick composed and produced with full access to Edgar Froese's Cubase arrangements and Otari Tape Archive with recordings from 1977-2013. For the first time in decades, Tangerine Dream's tracks cannot exactly be re-created for a live performance. An EP, which was not meant to be performed live, as a direct response to the many cancelled shows of the last months. "Probe 6-8" is the band's precursor to their forthcoming full-length album in early 2022, the second studio album after the passing of the founder Edgar Froese. https://www.youtube.com/watch?v=jrVizxUrZcQ https://www.youtube.com/watch?v=-LGKmXriHcg Download from [b]HotLink[/b] https://hotlink.cc/folder/a3cb9708-23a5-11ec-a971-0cc47ac4f47e
  12. antonsm
    Tangerine Dream - Sorcerer (An Original Motion Picture Soundtrack) 1977 (2021) 96-24 Country: Germany Genre: Electronic,Ambient Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:00 Full Size: 925.23 MB Newly re-mastered of Tangerine Dream's classic soundtrack to the legendary film Sorcerer, directed by William Friedkin in 1976. A remake of the 1953 film The Wages of Fear, Tangerine Dream members Edgar Froese, Christopher Franke and Peter Bau.mann composed a stunning electronic score which perfectly accompanied ffriedkin's imagary and was the band s first commission for a Hollywood movie. "Tangerine Dream does a masterful job here of creating a dark but vibrant piece of music that matches up perfectly with the film it's meant to represent." https://www.youtube.com/watch?v=Q4AMJjMyHR8 https://www.youtube.com/watch?v=rS7ZIkCth4k Download from [b]HotLink[/b] https://hotlink.cc/folder/a3cb9708-23a5-11ec-a971-0cc47ac4f47e
  13. antonsm
    Primalfrost - Lost Elegies (2021) 44.1-24 Country: Canada Genre: Melodic Death/Power Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 45:42 Full Size: 582.53 MB Primalfrost has lay dormant for seven years. They've not lost their edge, however, the singles reveal a band returning with renewed strength and melodic death prowess that Jari Maenpaa abandoned in his luxury sauna all those years ago. https://www.youtube.com/watch?v=ZnTGSuCYqrg https://www.youtube.com/watch?v=tVGP5mrZ480 Download from [b]HotLink[/b] https://hotlink.cc/u5nhxualyig9/Primalfrost.-.Lost.Elegies.2021.44.1-24.rar
  14. antonsm
    Sorcerer - Reverence (2021) 44.1-24 Country: Sweden Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 24:48 Full Size: 295.06 MB https://www.youtube.com/watch?v=xLsxPg1nNss https://www.youtube.com/watch?v=cOUnbWLHufQ Download from [b]HotLink[/b] https://hotlink.cc/4ujdnpmjk38s/Sorcerer.-.Reverence.2021.44.1-24.rar
  15. antonsm
    The Darkness - Streaming of a White Christmas (Live) (2021) 48-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:26:18 Full Size: 1.08 GB The Darkness just released a brand new live album called 'Streaming Of A White Christmas'. The recording was taken from the band's streaming Christmas show on the 18th of December 2020. The concert starts with the "new" and beautifully weird Rock And Roll Deserves To Die and from there it will be a good mix of old classics and more recent songs. Of course, lots of classics from Permission to land like Black Shuck, Growing on me, Get Your Hands Off My Woman. Justin and Dan Hawkins on "electronic guitars", Frankie Poullain on "electronic bass" and not new anymore Rufus Taylor on drums are a reality in the Hard Rock world and one of the best live bands around, combining great music and irony but without being a parody. Streaming Of A White Christmas is a very enjoyable live album, very well played, with some impromptu, with a very communicative frontman despite the fact the concert was with no audience. If you like the band, you will like it for sure. https://www.youtube.com/watch?v=IT2Izdw19aI Download from [b]HotLink[/b] https://hotlink.cc/folder/4bf90511-38cd-11ec-a971-0cc47ac4f47e
  16. antonsm
    Nashville Pussy - Pleased to Eat You {2018} 96-24 Country: USA Genre: Hard Rock, Southern Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:12 Full Size: 1012.69 MB https://www.youtube.com/watch?v=qgm3Rtb3lSk https://www.youtube.com/watch?v=DR5J8Fs8mxc&list=OLAK5uy_nfNOL_BHHseT23Zh01Ttq0MtCiiqZcwUI&index=1 Download from [b]HotLink[/b] https://hotlink.cc/folder/c6370282-6666-11ec-a2c7-0cc47ac4f47e
  17. antonsm
    The Clash - Hits Back (2013) 96-24 Country: UK Genre: Punk rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:56:36 Full Size: 2.6 GB A tie-in to the exhaustive 2013 box set Sound System, the 2013 compilation The Clash Hits Back is a novel approach to a career retrospective: it mirrors the 24-song set list for the band's July 19, 1982 concert at Brixton Fairdeal, then adds eight bonus hits at the end. The Clash Hits Back slightly tweaks the running order of the original set -- "Bankrobber" arrived five songs into the concert but appears eighth here -- but that doesn't matter much, as this swap doesn't alter the impact of the original set. The Clash were plugging Combat Rock so songs from that LP -- the singles "Rock the Casbah," "Should I Stay or Should I Go?" and "Straight to Hell," plus "Ghetto Defendant" and "Know Your Rights," adding up to just under half the album -- sit alongside a heavy chunk of London Calling and early hits, plus a few stabs at Sandinista!. What's added at the end is a mix of their high-octane early material ("White Riot," "Complete Control," "Clash City Rockers," Tommy Gun," "English Civil War") and their more adventurous studio recordings ("The Call Up," "Hitsville UK," "This Is Radio Clash"), adding up to a strong overview of all the band could do. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=U96B4e5lZlQ https://www.youtube.com/watch?v=Nc5hqXEBtHY Download from [b]HotLink[/b] https://hotlink.cc/folder/e3ea8c12-6659-11ec-a2c7-0cc47ac4f47e
  18. antonsm
    Michael Schinkel's Eternal Flame - Gravitation (2021) 44.1-24 Country: Germany Genre: Hard Rock,Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 49:55 Full Size: 615.42 MB https://www.youtube.com/watch?v=4oSvxvdj-Oc https://www.youtube.com/watch?v=zskJt1z7iDg Download from [b]HotLink[/b] https://hotlink.cc/n6dgjnlwnwwr/Michael.Schinkels.Eternal.Flame.-.Gravitation.2021.44.1-24.rar
  19. antonsm
    Roxette - Bag Of Trix Vol. 4 (Music From The Roxette Vaults) (2020) [FLAC]) Country: Sweden Genre: Pop Format: FLAC (*tracks) Quality: Lossless Time: 43:56 Full Size: 288.65 MB https://www.youtube.com/watch?v=lPebIjlUsLI&list=OLAK5uy_maSd4sU-zJnhvMmmP43an8ksuryEnpowg&index=12 https://www.youtube.com/watch?v=54hiCbeIp-w&list=OLAK5uy_maSd4sU-zJnhvMmmP43an8ksuryEnpowg&index=3 Download from [b]HotLink[/b] https://hotlink.cc/folder/dc52b7f7-61b0-11ec-a2c7-0cc47ac4f47e
  20. antonsm
    King Crimson - Larks' Tongues in Aspic (2014) [44,1kHz/24 bit] Country: UK Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:07:48 Full Size: 718.99 MB King Crimson reborn yet again -- the then-newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time -- though some of it actually dated (in embryonic form) back to the tail-end of the Boz Burrell-Ian Wallace-Mel Collins lineup. And John Wetton was the group's strongest singer/bassist since Greg Lake's departure three years earlier. What's more, this lineup quickly established itself as a powerful performing unit, working in a more purely experimental, less jazz-oriented vein than its immediate predecessor. "Outer Limits music" was how one reviewer referred to it, mixing Cross' demonic fiddling with shrieking electronics, Bill Bruford's astounding dexterity at the drum kit, Jamie Muir's melodic and usually understated percussion, Wetton's thundering yet melodic bass, and Fripp's guitar, which generated sounds ranging from traditional classical and soft pop-jazz licks to hair-curling electric flourishes. ~ Bruce Eder https://www.youtube.com/watch?v=Hn4-ofDHk1k Download from [b]HotLink[/b] https://hotlink.cc/6so27i66qcf4/King.Crimson.-.Larks.Tongues.in.Aspic.2014.44-24.rar
  21. antonsm
    Can - Live In Stuttgart 1975 (2021) 96-24 Country: Germany Genre: Krautrock,Prog Rock,Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:30:02 Full Size: 1.8 GB Can's experimentation and willingness to take unprecedented risks touched every aspect of their music. The Krautrock legends' innovative approach to studio albums produced some of the most exciting results of the entire era of rock music they existed in, but the foundation for their studio brilliance was in their otherworldly powers as a live entity. Live in Stuttgart 1975 captures some of this live magic, documenting the entirety of a 90-minute-long, fully improvised concert made up of five lengthy jams. For the most part, the performances are high-energy and intricate and the band sounds almost supernaturally communicative. Instead of taking turns soloing over sleepy blues-based vamps, Can swing between complex modes that they explore restlessly. Sometimes they'll break into what sounds like familiar material -- a rhythm or a riff that starts to sound like something from Tago Mago -- but these hints of structure never fully materialize. Throughout the set, Can is determined to go new places. The band had just recorded their sixth LP, Landed, which at that point combined both their most high-tech production and their most straightforward jam band material. Some of that excessive jam focus comes through on Stuttgart 1975. The cautious intro to "Zwei" (the album's five pieces are titled with German numerals) has the same lazy shuffle and prismatic guitar noodling as the Grateful Dead during their live sets. That mellowness lasts only a moment before taking one of many quick turns to wilder territory. There are some parallels to the ungrounded freeform of electric Miles Davis and Hendrix's raw live recordings, but there's also some integration of early synthesizers and a rhythmic presence that sounds like Can and Can alone. Whether locked into an airtight groove or exploring noisy chaos, the band moves as a singular organism that doesn't let up for a second. Their studio albums solidified Can's reputation as one of the most important and groundbreaking bands of their time, but Stuttgart 1975 exemplifies how that creative spirit translated to the stage, highlighting yet another side of Can's limitless ability. © Fred Thomas /TiVo https://www.youtube.com/watch?v=qE5qHMO6aLg&t=238s Download from [b]HotLink[/b] https://hotlink.cc/folder/34ef8b97-d449-11eb-a971-0cc47ac4f47e
  22. antonsm
    The Clash - Live at Shea Stadium 1982 (2013) 96-24 Country: UK Genre: Punk Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 49:04 Full Size: 1.18 GB https://www.youtube.com/watch?v=oGIFublvDes Download from [b]HotLink[/b] https://hotlink.cc/folder/e3ea8c12-6659-11ec-a2c7-0cc47ac4f47e
  23. antonsm
    / Gregorian - 2020-20 (2019) 44.1-24 Country: Germany Genre: Pop,Classical,New Age, Ambien Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 02:15:08 Full Size: 1.56 GB https://www.youtube.com/watch?v=zwKS-UrqIgs Download from [b]HotLink[/b] https://hotlink.cc/folder/05f62189-6344-11ec-a2c7-0cc47ac4f47e
  24. antonsm
    Metallica - 40th Anniversary Shows (2021) WEB-DL 1080p Country: USA Genre: Thrash Metal Format: mkv Video: MPEG4 Video / 1920x1080 / 29.97fps / 8 899 kb/s Audio: DD+ / 48kHz / stereo / 224kbps Duration: 04:37:21 Size: 35.41 GB Tracklist: https://www.youtube.com/watch?v=pLXB9MvzrnA https://hotlink.cc/folder/04e9e3f7-65a5-11ec-a2c7-0cc47ac4f47e
  25. antonsm
    Kiss - Lick It Up (Remastered) 1983 (2021) 96-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:26 Full Size: 980.51 MB Due to the underachievement of their exceptional 1982 comeback album, Creatures of the Night, Kiss knew the time was right to drop the makeup, so in September 1983 the band shocked their fans by unmasking on MTV. Their first non-makeup album, Lick It Up, followed soon after and successfully re-established the band among the heavy metal masses worldwide. Kiss also reconnected with their stateside fans -- Lick It Up was the band's first record to achieve gold status since 1980's Kiss Unmasked. The album's success was spurred by MTV's repeated airing of the imaginative video for the album's strong title track, and songs such as "Exciter," "Not for the Innocent," "A Million to One," and the rap-rocker "All Hell's Breaking Loose" confirmed that the band was back on the right track. Vinnie Vincent again proved to be a worthy replacement to original guitarist Ace Frehley but would unfortunately leave the band after the completion of the Lick It Up worldwide tour (eventually resurfacing with the Vinnie Vincent Invasion in the late '80s). Lick It Up is undoubtedly Kiss' best non-makeup album. © Greg Prato /TiVo https://www.youtube.com/watch?v=Gcj34XixuYg&list=OLAK5uy_lvoCntkgRBgcm5FiWiYKfvnCcN7YE2Ug4&index=3 https://www.youtube.com/watch?v=uZ5pxPWvM88&list=OLAK5uy_lvoCntkgRBgcm5FiWiYKfvnCcN7YE2Ug4&index=7 Download from [b]HotLink[/b] https://hotlink.cc/folder/66cbcd22-4887-11ec-a971-0cc47ac4f47e

 

Benvenuti su DDLStreamItaly.co, una comunità dinamica e appassionata, che trae le sue origini dal 2009, quando iniziammo il nostro viaggio come Nextube.org. Lungo il cammino, il nostro nome è cambiato, ma il cuore e l'anima del nostro gruppo sono rimasti invariati: siamo ancora quegli stessi entusiasti ragazzi che hanno avviato questa avventura con voi. La nostra piattaforma è un vero e proprio tesoro per chi cerca contenuti di qualità, offrendo un'ampia gamma di risorse senza la distrazione di pubblicità invasive. Unitevi a noi in questo viaggio continuo alla scoperta di nuove e stimolanti esperienze digitali!

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