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  1. Opeth - The Last Will And Testament (2024) 48-24 Country: Sweden Genre: Progressive Death Metal Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 50:52 Full Size: 627.23 MB https://www.youtube.com/watch?v=THSY4A3N9e4 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/673cdd2d9c15c
  2. Opeth - Wacken Open Air (2024) HD 1080p Screenshots: Setlist: 01 - Intro 02 - The Grand Conjuration 03 - Demon of the Fall 04 - The Drapery Falls 05 - In My Time of Need 06 - Heir Apparent 07 - Ghost of Perdition 08 - Sorceress 09 - Deliverance Info: Genre: Progressive Metal | Death Metal Quality: WEB-DL | 1080p Format: MKV | 9000kbps Length: 01:26:00 | 5.51Gb Video: H.264 | 1920x1080 | 16:9 | 25.000fps Audio: AAC | 128kbps | 48kHz | 2 channels: L R Language: English Download: Rapidgator.net, Ddownload.com, keep2share.cc, hitfile.net https://www.keeplinks.org/p84/66ac757197d92 Attention: Files are subject to expiration and can be automatically deleted if their not downloaded 30 days after the last download.
  3. Opeth - Pale Communion (Deluxe Edition) (2014) [Blu-ray Audio] Label: RoadRunner Records [RR7573-5] Country: Sweden Genre: Progressive Rock, Progressive Metal Quality: Blu-ray Audio Audio: English / Dolby TrueHD Audio / 5.1 / 96 kHz / 5356 kbps / 16-bit (AC3 Embedded: 5.1 / 48 kHz / 448 kbps / DN -4dB) Audio: English / Dolby TrueHD Audio / 2.0 / 96 kHz / 2577 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps / DN -4dB / Dolby Surround) Time: 01:07:42 Full Size: 10.01 GB Setlist: https://www.youtube.com/watch?v=JHq9yMXw3iA https://www.youtube.com/watch?v=v-sGhzHzLSE https://www.keeplinks.org/p72/65e9c33c05a45
  4. Opeth - Orchid (Abbey Road Remaster 2023) (1995) 96-24 Country: Sweden Genre: Progressive Death Metal Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 01:05:25 Full Size: 1.29 GB https://www.youtube.com/watch?v=UTM7St4GAw4 https://www.youtube.com/watch?v=2vYHZxHyOcY Download from [b]HotLink[/b] https://www.keeplinks.org/p72/6472097ebc13f
  5. Opeth - Morningrise (Abbey Road Remaster 2023) (1996) 96-24 Country: Sweden Genre: Progressive Death Metal Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 01:06:16 Full Size: 1.26 GB https://www.youtube.com/watch?v=UimBg1IVAQI https://www.youtube.com/watch?v=MRXtyP1PuyU Download from [b]HotLink[/b] https://www.keeplinks.org/p72/6472097ebc13f
  6. Opeth - My Arms, Your Hearse (Abbey Road Remaster, 2023) (1998) 96-24 Country: Sweden Genre: Progressive death metal Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 52:33 Full Size: 941.63 MB https://www.youtube.com/watch?v=HrGDTzQ5fNY https://www.youtube.com/watch?v=y4PRQ6WUam8 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/6472097ebc13f
  7. Opeth - In Cauda Venenum (Swedish Version) (2019) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:07:44 Full Size: 753.71 MB Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e
  8. Opeth - Garden of the Titans (Opeth Live at Red Rocks Amphitheatre) (2018) 48-24 Country: Sweden Genre: Progressive Rock, Progressive Metal Format: FLAC (*tracks) Quality: Lossless [48 kHz/24 bit] Time: 01:28:06 Full Size: 1.12 GB https://www.youtube.com/watch?v=p3SXIWS7rBQ Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e
  9. Opeth - Pale Communion (2014) 96-24 Country: Sweden Genre: Progressive Metal,Progressive Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 55:47 Full Size: 1.05 GB When Opeth released Heritage in 2011 -- the wonderfully indulgent, somewhat unfocused exercise in prog rock aesthetics -- some longstanding fans were offended because the band had abandoned death metal. Truthfully, they had been exploring prog in fits and starts since 2005's Ghost Reveries. Pale Communion completes the transition, proving that Heritage was not only a next step, but a new beginning altogether. Vocalist, songwriter, and guitarist Mikael Åkerfeldt has obviously been listening to loads of prog in the interim -- ELP's debut, Deep Purple's In Rock, early King Crimson and Eloy, National Health, U.K., Bill Bruford's early solo work, Pär Lindh, and even jazz fusion. Produced by the singer and mixed by Steven Wilson, Pale Communion states its ambitions outright. Opener "Eternal Rains Will Come" explodes with knotty, labyrinthine organ (from new keyboardist Joakim Svalberg) and Martin Axenrot's skittering, propulsive drums. Åkerfeldt's and Fredrik Åkesson's serpentine yet raucous guitars and Martín Méndez's fat, humming bassline kick in immediately thereafter. They all stop on a dime to be replaced by flute and acoustic piano. After another few moments, they return to establish the song's vamp and melody. Åkerfeldt's multi-tracked vocals don't enter until three minutes in, then give way to a dazzling finish provided by a guitar solo and massive swathes of organ and Mellotron. Lead single "Cusp of Eternity" employs repetitive metal guitar and bass riffs, while the modal melody suggests Middle Eastern origins. "Moon Above, Sun Below" is the set's hinge piece and longest track. It contains no less than five sections in nearly 11 minutes. These are introduced variously by samples of Tibetan thigh-bone trumpet and vibraphones, as well as acoustic guitars, Rhodes piano, thundering organ, anthemic electric guitars atop cracking rim shots, kick drum, and a forceful bassline that creates dynamic textural passages illustrating the rage, loss, and acceptance in Åkerfeldt's lyrics. "Goblin" is an instrumental, a tightrope walk between hard rock and jazz fusion, and it's among the finest things here. This is countered by "River," with rich, multi-layered vocal harmonies, 12-string, piano, glistening cymbal, and snare, highlighted by a melodic electric guitar solo à la Argus-era Wishbone Ash. The metallic syncopation in "Voice of Treason" is dramatic with Eastern interludes via the primary instruments, painted by Mellotron as Åkerfeldt soars. The first half of closer "Faith in Others" is instrumentally sparse; it begins reaching for the skies about halfway through, but gets dialed back to allow the gorgeous melody prominence. Pale Communion is more focused and refined than Heritage. Though they readily display numerous musical influences here, ultimately Opeth sound like no one but themselves. This set is a massive leap forward, not only in terms of style but also in its instrumental and performance acumen; it is nearly unlimited in its creativity. © Thom Jurek /TiVo https://www.youtube.com/watch?v=JHq9yMXw3iA https://www.youtube.com/watch?v=v-sGhzHzLSE Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e
  10. Opeth - In Cauda Venenum (2019) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:07:57 Full Size: 756.07 MB https://www.youtube.com/watch?v=GF5FXYmBrc4 Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e
  11. Opeth - Sorceress (2016) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 01:30:16 Full Size: 985.02 MB When Opeth released Heritage in 2011, they had completed the transformation from their death metal origins through progressive death metal in the early 2000s, to full-on prog rock that celebrated their love of Camel, Jethro Tull, ELP, and more. 2014's excellent Pale Communion furthered those notions as frontman and songwriter Mikael Åkerfeldt's own vision began to emerge. Sorceress is the third installment in this phase of the band's career, and while considerably different and more exploratory than its precursors, it also references Opeth's earlier efforts like Ghost Reveries and Blackwater Park, but goes further than either in its diversity. Uncharacteristically, Åkerfeldt wrote the album quickly. He enlisted Tom Dalgety as co-producer (who also engineered and mixed) and Opeth recorded it in twelve days at Rockfield Studios in Wales. Sorceress is a madly assorted mixed bag. Åkerfeldt's inspirations this time out may still recall prog sources, but there are heavier ones, too: Black Sabbath and the Ritchie Blackmore/Jon Lord-era of Deep Purple. Opener "Persephone" has a brief nylon-string guitar sketch in waltz time that could have come from folk music antiquity. It gives way to the title track and first single. Joakim Svalberg's knotty organ riff dominates the opening moment before a crushing syncopated guitar riff joins in. This track somewhat recalls the Pale Communion sessions but is far more unhinged. The Geezer Butler-esque bassline and explosive kick drums make it the most accessible thing here -- its instrumental section keeps it firmly in prog terrain, however. "The Wilde Flowers" is a truly wild melange of musical styles. It's simultaneously heavy, hard, and spacy, with B-3, bluesy and squalling metal guitar breaks, and chorale vocals that drift in the center, weighting it as a solidly prog track. The bludgeoning guitar riff, up-mixed, swinging drums, and punishing bassline in "Chrysalis" make it a highlight; it shines with Åkerfeldt's finest vocal performance on the album (he can be notoriously lazy). There are lovely acoustic tracks here, too, such as "Will O' the Wisp," which exists in the space between Pentangle's Basket of Light and Led Zeppelin III. "The Seventh Sojourn" melds East Indian drone with North African modalism and exotic hand percussion; strings and keyboards eclipse an oud-like guitar line. It eventually dissembles, wedding near classical polyphony to subdued pop. "Strange Brew" winds through Peter Gabriel-era Genesis-esque ponderousness before a bluesy guitar line ushers it into thundering King Crimson-esque prog adorned with proto-metal riffs and vamps. "A Fleeting Glance" is a dynamic, multifaceted jam showcasing Åkerfeldt's sophisticated melodic sensibilities while touching on musical terrain from Pink Floyd and Gentle Giant to post-Village Green-era Kinks! "Era" opens with a delicate piano intro but Opeth erupts a minute later in melodic aggression. Åkerfeldt's more confident and individualized songwriting on Sorceress takes it in some dizzying directions. While it goes further musically than their two previous outings, it contains enough of the past to exist in a space that carves out terrain somewhere between Watershed and Heritage. Brilliant. © Thom Jurek /TiVo https://www.youtube.com/watch?v=yMDJ9FFRO2E https://www.youtube.com/watch?v=thrVflIc05I Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e
  12. Opeth - In Cauda Venenum (2022 Extended Edition) (2019) 44.1-24 Country: Sweden Genre: Progressive Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 02:45:09 Full Size: 1.82 GB In interviews before the release of In Cauda Venenum, Mikael Akerfeldt, Opeth's vocalist, guitarist, and chief songwriter, stated that "heaviness" was an aesthetic rather than a sound, to explain why he had abandoned death metal. Beginning with 2011's Heritage, Opeth made a conscious shift toward progressive rock that has, as evidenced here, become pervasive. This set is their first to be issued in English and Swedish editions. Sonically and musically, the album contains musical and production traits already evident on Heritage and Sorceress -- and to a lesser degree, on Pale Communion -- as organs, synths, Mellotron, acoustic guitars, syncopated rhythms, strings, choirs, and key changes are crafted into the band's two-guitar-bass-drum attack. But where the previous three studio albums were rife with experimentation, In Cauda Venenum is focused on a cohesively pre-arranged whole. It may be the fourth entry in their progressive evolution, but it's their first to deliver the full realization of the band's potential. These ten songs are laden with lush textures, painstakingly crafted melodies, unapologetic gothic overtones, startling dynamics, and visceral presence. Opeth may deliberately borrow inspiration from many sources, but they aren't trying to re-create them. The band recorded at Park Studios in Stockholm with all-analog gear and a goal: "to be as epic as possible." While set-opener "The Garden of Earthly Delights" is a three-and-a-half-minute Gothic intro; the first tune proper, "Dignity," is heavy as hell, with multi-tracked wordless choral choruses, swirling organs and Mellotron, sampled spoken voices, sound effects, popping drums, and spiky lead guitars. Its intense opening section gives way to fingerpicked acoustic, gently sung lyrics, and textural atmospherics before roaring back into riff-laden hard rock. "Heart on Hand," the other advance track, commences with a guitar-and-bass riff right out of "Immigrant Song," framing the cleanest, most emotionally resonant vocals in Akerfeldt's career before swirling into instrumental chaos and transforming itself into a lilting ballad in the final third. There are brutal moments here, too, in angular jams like "Charlatan," with its overdriven, filthy bassline. "Universal Truth" alternates between folk-inflected prog and spidery hard rock. The moody classical guitar and piano intro to "The Garroter" gives way to spooky, swinging dark jazz. While the sprightly keyboard and strummed guitar vamp on "Continuum" are a sinister musical perversity, they circle toward spiraling prog metal with the vocal and rhythmic section syncopations of Yes, then unwind into moody pastoral, poly-harmonic, folk-inflected Gothic rock. Though it emerges slowly, there is a biting crackle in the sweeping majesty of closer "All Things Pass." Akerfeldt's and Fredrik Akesson's guitars spiral and slash in a loss-saturated vibe colored by swirling organ, Mellotron, and crashing tom-toms, as Opeth buoy the singer whose lyric is drenched in loss and grief. On In Cauda Venenum, Opeth have thoroughly revisioned prog rock for the 21st century. While there are referents to the past, they have merely been folded into a brand of heavy music that reflects not progressive rock's history, but Opeth's enduring, evolving image. © Thom Jurek /TiVo https://www.youtube.com/watch?v=3FiZNuETUYM Download from [b]HotLink[/b] https://hotlink.cc/folder/01e0ff19-d2d1-11ec-a2c7-0cc47ac4f47e
  13. Opeth - Garden Of The Titans (2018, Blu-ray) Title: Opeth - Garden Of The Titans Year of release: 2018 Genre: Progressive Metal Cast: Opeth Tracklist: Double CD and BD recorded live by Opeth at the Red Rocks Amphiteatre in Denver in 2017 during Sorceress tour. 1 Sorceress 2 Ghost of Perdition 3 Demon of the Fall 4 The Wilde Flowers 5 In My Time of Need 6 The Devil's Orchard 7 Cusp of Eternity 8 Heir Apparent 9 Era 10 Deliverance Quality: Blu-ray Video: MPEG-4 AVC Video / 25997 kbps / 1080p Audio: LPCM Audio / 2.0 / 48 kHz / 1536 kbps, LPCM Audio / 5.1 / 48 kHz / 4608 kbps Total Size: 22.22 GB Total Time: 01:31:43 Download Hoster: filefactory.com, uptobox.com, hitfile.net, rapidu.net, turbobit.net
  14. Opeth - Garden Of The Titans (2018, DVD9) Title: Opeth - Garden Of The Titans Year of release: 2018 Genre: Progressive Metal Tracklist: 1 Sorceress 2 Ghost of Perdition 3 Demon of the Fall 4 The Wilde Flowers 5 In My Time of Need 6 The Devil's Orchard 7 Cusp of Eternity 8 Heir Apparent 9 Era 10 Deliverance Quality: DVD9 Video: MPEG-2 VIDEO / 720x576 (16:9) / PAL / 25.0 fps / 6074-6616 kbps Audio: LPCM Audio / 2.0 / 48 kHz / 1536 kbps, AC3 / 448 kbps / 48.0 khz / 6 ch Total Size: 5.74 GB Total Time: 01:31:43 Download Hoster: filefactory.com, hitfile.net, rapidu.net, turbobit.net
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