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Deep Purple - Machine Head 1972 (2001) [96kHz/24bit]
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Deep Purple - Machine Head 1972 (2001) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 37:41 Full Size: 870.34 MB https://www.youtube.com/watch?v=_hJEyDOn6Ho&list=OLAK5uy_mhmVTfMgQ7f2i0I4x7i4yF1PKciXinB8k&index=1 https://www.youtube.com/watch?v=Xt9W_tf32dQ&list=OLAK5uy_mhmVTfMgQ7f2i0I4x7i4yF1PKciXinB8k&index=7 Download from [b]HotLink[/b] https://hotlink.cc/folder/338acc2c-4d34-11ec-a2c7-0cc47ac4f47e -
Deep Purple - Deep Purple 1969 (2015) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
Deep Purple - Deep Purple 1969 (2015) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:20 Full Size: 1000.09 MB https://www.youtube.com/watch?v=BVRc4y4oC-s&list=OLAK5uy_nL1tWSVc0NnwY3JJRMNwhclDY7q6ibiA4&index=2 https://www.youtube.com/watch?v=9Dyo8MX3y7o&list=OLAK5uy_nL1tWSVc0NnwY3JJRMNwhclDY7q6ibiA4&index=4 Download from [b]HotLink[/b] https://hotlink.cc/folder/338acc2c-4d34-11ec-a2c7-0cc47ac4f47e -
Robert Plant & Alison Krauss - Raising Sand (Remastered) (2021) [96kHz/24bit]
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Robert Plant & Alison Krauss - Raising Sand (Remastered) (2021) 96-24 Country: UK Genre: Folk,Country Blues Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 57:17 Full Size: 1.2 GB The musical collaboration of the decade, "Raising Sand" is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. this spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious west Texas country, and the untapped potential of the folk-rock revolution. supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Wiley Baugus, Plant and Krauss - as both solo and harmony vocalists - tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes van Zandt, the Everly Brothers, and Mel Tillis. "Raising Sand" finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary. "What seems to be an unlikely pairing of former Led Zeppelin vocalist Robert Plant and bluegrass superstar Alison Krauss is actually one of the most effortless-sounding duos in modern popular music. The bridge seems to be producer T-Bone Burnett and the band assembled for this outing: drummer Jay Bellerose (who seems to be the session drummer in demand these days), upright bassist Dennis Crouch, guitarists Marc Ribot and Burnett, with Greg Leisz playing steel here and there, and a number of other guest appearances. Krauss, a monster fiddle player, only does so on two songs here. The proceedings are, predictably, very laid-back. Burnett has only known one speed these last ten years, and so the material chosen by the three is mostly very subdued. This doesn't make it boring, despite Burnett's production, which has become utterly predictable since he started working with Gillian Welch. He has a "sound" in the same way Daniel Lanois does: it's edges are all rounded, everything is very warm, and it all sounds artificially dated. Sam Phillips' "Sister Rosetta Goes Before Us" is a centerpiece on this set. It has her fingerprints all over it. This tune, with its forlorn, percussion-heavy tarantella backdrop, might have come from a Tom Waits record were it not so intricately melodic -- and Krauss' gypsy swing fiddle is a gorgeous touch. There is an emptiness at the heart of longing particularly suited to Krauss' woodsy voice, and Plant's harmony vocal is perfect, understated yet ever-present. It's the most organically atmospheric tune on the set -- not in terms of production, but for lyric and compositional content. Stellar." (Thom Jurek, AMG) https://youtu.be/gwg2sdRdahM Download from [b]HotLink[/b] https://hotlink.cc/folder/d404393b-487f-11ec-a971-0cc47ac4f47e -
Udo Lindenberg - Galaxo Gang (Remastered Version) (2021) [96kHz/24bit]
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Udo Lindenberg - Galaxo Gang (Remastered Version) (2021) 96-24 Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 48:00 Full Size: 1018.61 MB Udo Lindenberg veröffentlicht seit 1971 Platten, hat über vier Jahrzehnte immer wieder den Nerv der Zeit getroffen und wie kaum ein anderer die Menschen emotional erreicht. Sein Werk ist Zeitgeschichte − unterhaltsam, politisch, romantisch und tiefgründig zugleich. So etwas schaffen nur sehr wenige Künstler. Seine Arbeit umfasst mehr als 40 Platten (Live- und Studioalben, sowie DVDs), und ein Großteil seines Werkes wurde nun für die Programm-Initiative "HighResAudio" neu in 24-Bit gemastert. "Udo Lindenberg Mastered for HighResAudio" ist bis dato das umfangreichste Projekt, welches in Deutschland in dieses neue Format gebracht wurde. Das Ganze geschah in Düsseldorf, in der Skyline Tonfabrik, wo uns Peter "Jem" Seifert und Kai Blankenberg Einblicke in den Prozess und die Hintergründe des Projekts geben. Die meisten Master waren auf 1/4″-Analogbändern. Warner Music und Universal haben uns ihr komplettes Archiv zugänglich gemacht. Alle Bänder liefen auf 38 cm/Sekunde, teilweise mit Dolby A aufgenommen. Das war schon ein irrer Moment, als wir das erste 1/4″-Band aufgelegt haben: Ball Pompös von 1974, in dem Jahr bin ich geboren! Es lief einwandfrei ohne Abrieb und klang tierisch: Gänsehaut! Nach wie vor eine meiner Lieblings-Udo-Platten. Für jedes Band hat Oliver Gregor (Rockruepel) die Bandmaschine optimal neu eingemessen. Beim Aussteuern der Wandler haben wir auf ca. 6 dB Headroom geachtet und haben ganz leise oder laute Bänder mit einem analogen Verstärker etwas angehoben oder abgesenkt. So haben wir einerseits sichergestellt, immer so nah wie möglich am Originalsound zu bleiben, und hatten andererseits immer einen vergleichbaren Pegel bei den Audiofiles, was für ein schnelles und strukturiertes Arbeiten wichtig war. https://www.youtube.com/watch?v=8TFQyF0oflU https://www.youtube.com/watch?v=OsZ5qxg-6L0 Download from [b]HotLink[/b] https://hotlink.cc/folder/1e07063e-aa81-11eb-a971-0cc47ac4f47e -
The Smashing Pumpkins - Monuments to an Elegy (2014) [96kHz/24bit]
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The Smashing Pumpkins - Monuments to an Elegy (2014) 96-24 Country: USA Genre: Alt. Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 32:35 Full Size: 770.37 MB https://www.youtube.com/watch?v=l7D3-jXN1Kw Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63d7e28d59ed7 -
The Smashing Pumpkins - Cyr (2020) [96kHz/24bit]
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The Smashing Pumpkins - Cyr (2020) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:12:06 Full Size: 1.48 GB The new Smashing Pumpkins album "CYR" consists of 20-tracks. A full-length double album that was produced by front-man Billy Corgan and recorded in Chicago, and features founding members Billy Corgan, James Iha, Jimmy Chamberlin and guitarist Jeff Schroeder. https://www.youtube.com/watch?v=2AN_GRWlU7k Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63d7e28d59ed7 -
Steely Dan - Countdown to Ecstasy 1973 (2014) [96kHz/24bit]
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Steely Dan - Countdown to Ecstasy 1973 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:08 Full Size: 895.58 MB Can't Buy a Thrill became an unexpected hit, and as a response, Donald Fagen became the group's full-time lead vocalist, and he and Walter Becker acted like Steely Dan was a rock & roll band for the group's second album, Countdown to Ecstasy. The loud guitars and pronounced backbeat of "Bodhisattva," "Show Biz Kids," and "My Old School" camouflage the fact that Countdown is a riskier album, musically speaking, than its predecessor. Each of its eight songs have sophisticated, jazz-inflected interludes, and apart from the bluesy vamps "Bodhisattva" and "Show Biz Kids," which sound like they were written for the stage, the songs are subtly textured. "Razor Boy," with its murmuring vibes, and the hard bop tribute "Your Gold Teeth" reveal Becker and Fagen's jazz roots, while the country-flavored "Pearl of the Quarter" and the ominous, skittering "King of the World" are both overlooked gems. Countdown to Ecstasy is the only time Steely Dan played it relatively straight, and its eight songs are rich with either musical or lyrical detail that their album rock or art rock contemporaries couldn't hope to match. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=IRdj9eTp6X0&list=OLAK5uy_lPcobq5ryh58LkDRksI_oi5Ap_hsoS-CU&index=1 https://www.youtube.com/watch?v=rFnwczuvb74&list=OLAK5uy_lPcobq5ryh58LkDRksI_oi5Ap_hsoS-CU&index=6 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63c8298774a35 -
Steely Dan - Pretzel Logic 1974 (2014) [96kHz/24bit]
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Steely Dan - Pretzel Logic 1974 (2014) 96-24 Country: USA Genre: Rock,Soft Rock,Jazz Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 33:47 Full Size: 720.36 MB }Countdown to Ecstasy wasn't half the hit that Can't Buy a Thrill was, and Steely Dan responded by trimming the lengthy instrumental jams that were scattered across Countdown and concentrating on concise songs for Pretzel Logic. While the shorter songs usually indicate a tendency toward pop conventions, that's not the case with Pretzel Logic. Instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date. Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay. Listen to how the album's hit single, "Rikki Don't Lose That Number," opens with a syncopated piano line that evolves into a graceful pop melody, or how the title track winds from a blues to a jazzy chorus -- Becker and Fagen's craft has become seamless while remaining idiosyncratic and thrillingly accessible. Since the songs are now paramount, it makes sense that Pretzel Logic is less of a band-oriented album than Countdown to Ecstasy, yet it is the richest album in their catalog, one where the backhanded Dylan tribute "Barrytown" can sit comfortably next to the gorgeous "Any Major Dude Will Tell You." Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=UBxZFadp9Pw Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63c8298774a35 -
King Crimson - Live In Chicago 28 June 2017 (2017) [96kHz/24bit]
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King Crimson - Live In Chicago 28 June 2017 (2017) [96kHz/24bit] Country: UK Genre: Prog Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:35:50 Full Size: 3.22 GB https://www.youtube.com/watch?v=OfR6_V91fG8 Download from [b]HotLink[/b] https://hotlink.cc/folder/97c2d5a3-61a8-11ec-a2c7-0cc47ac4f47e -
Dio - Holy Diver 1983 (2015) [96kHz/24bit]
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Dio - Holy Diver (2015) [96 kHz/24bit] Country: UK Genre: Hard'n'Heavy Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:36 Full Size: 957.02 MB https://www.youtube.com/watch?v=2lvs2FzF64o Download from [b]HotLink[/b] https://hotlink.cc/folder/c2d05232-601f-11ec-a2c7-0cc47ac4f47e -
The Smashing Pumpkins - Oceania (2012) [96kHz/24bit]
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The Smashing Pumpkins - Oceania (2012) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:00:03 Full Size: 1.28 GB Following up on, and in many ways amending, much of the bombastic overcompensation of 2007's Zeitgeist, Smashing Pumpkins 2012 release Oceania is an exuberant, gloriously melodic, fluid return to form for Billy Corgan. While Zeitgeist certainly contained many of the elements that make for a classic Smashing Pumpkins release -- including slabs of distorted guitars, passionate vocals, and poetic lyrics, not to mention drummer Jimmy Chamberlin, who was the sole remaining original member besides Corgan and who subsequently left the band -- there was something cold and perhaps a bit too calculated about the production. Ultimately, Zeitgeist didn't do much to dissuade audiences that Corgan, undeniably the mastermind behind the best Pumpkins work, was now overvaluing his abilities in an attempt to recapture fans disillusioned by his various side projects. Thankfully, none of these concerns are applicable to Oceania. Ostensibly an "album within an album" of the greater 44-track Teargarden by Kaleidyscope concept project, Oceania works as a stand-alone album. Conceptual conceits aside, these are some of the most memorable and rousing songs Corgan has delivered since 1993's Siamese Dream, the album that Oceania most closely mirrors in tone and aesthetic. Which isn't to say that Corgan is treading old ground; on the contrary, there is something fresh and inspired about the songs on Oceania. Admittedly, kicking the album off with the heavy psychedelic acid rock groove of "Quasar" -- in which Corgan croons several EST-era-style affirmations including, "God right on! Krishna right on! Mark right on!" -- is a move that almost begs comparisons to Smashing Pumpkins' euphoria-inducing 1991 single "Siva." A similar sentiment comes to mind with the latter album rocker "The Chimera," a classic rock-sounding groover that sparkles with crisscross laser-beam guitar lines recalling the jewel-toned guitar heroics of Queen's Brian May. But these are welcome comparisons, born out of Corgan finally delivering a gorgeous and cohesive set of songs that balance some his more arch, cerebral inclinations with his generously romantic and sweepingly cinematic gift for revelatory guitar rock. Elsewhere, we get the soaring "Panopticon" and the minor-key, prog rock-inflected drama of "Violet Rays." However, Oceania is perhaps best represented by the euphoric mid-album ballad "Pinwheels." Starting with a repeated keyboard line and building to swells of acoustic and electric guitar before settling into one of the most swoon-worthy melodic anthems Corgan has ever written, "Pinwheels," much like the rest of Oceania, is a masterpiece of pop songcraft and rock production. As Corgan croons on the song's chorus, "Sister soul, lovers of the tune, sing!/I got you/I got you." On Oceania, the Smashing Pumpkins definitely have us. © Matt Collar /TiVo https://www.youtube.com/watch?v=zxT8DxeGwXM&list=PLC3AC3E75CD868726&index=2 https://www.youtube.com/watch?v=qq84yOspghQ&list=PLC3AC3E75CD868726&index=11 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63d7e28d59ed7 -
Tangerine Dream - Sorcerer (An Original Motion Picture Soundtrack) 1977 (2021) [96kHz/24bit]
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Tangerine Dream - Sorcerer (An Original Motion Picture Soundtrack) 1977 (2021) 96-24 Country: Germany Genre: Electronic,Ambient Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:00 Full Size: 925.23 MB Newly re-mastered of Tangerine Dream's classic soundtrack to the legendary film Sorcerer, directed by William Friedkin in 1976. A remake of the 1953 film The Wages of Fear, Tangerine Dream members Edgar Froese, Christopher Franke and Peter Bau.mann composed a stunning electronic score which perfectly accompanied ffriedkin's imagary and was the band s first commission for a Hollywood movie. "Tangerine Dream does a masterful job here of creating a dark but vibrant piece of music that matches up perfectly with the film it's meant to represent." https://www.youtube.com/watch?v=Q4AMJjMyHR8 https://www.youtube.com/watch?v=rS7ZIkCth4k Download from [b]HotLink[/b] https://hotlink.cc/folder/a3cb9708-23a5-11ec-a971-0cc47ac4f47e -
Nashville Pussy - Pleased to Eat You {2018} [96kHz/24bit]
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Nashville Pussy - Pleased to Eat You {2018} 96-24 Country: USA Genre: Hard Rock, Southern Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 45:12 Full Size: 1012.69 MB https://www.youtube.com/watch?v=qgm3Rtb3lSk https://www.youtube.com/watch?v=DR5J8Fs8mxc&list=OLAK5uy_nfNOL_BHHseT23Zh01Ttq0MtCiiqZcwUI&index=1 Download from [b]HotLink[/b] https://hotlink.cc/folder/c6370282-6666-11ec-a2c7-0cc47ac4f47e -
The Clash - Hits Back (2013) [96kHz/24bit]
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The Clash - Hits Back (2013) 96-24 Country: UK Genre: Punk rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:56:36 Full Size: 2.6 GB A tie-in to the exhaustive 2013 box set Sound System, the 2013 compilation The Clash Hits Back is a novel approach to a career retrospective: it mirrors the 24-song set list for the band's July 19, 1982 concert at Brixton Fairdeal, then adds eight bonus hits at the end. The Clash Hits Back slightly tweaks the running order of the original set -- "Bankrobber" arrived five songs into the concert but appears eighth here -- but that doesn't matter much, as this swap doesn't alter the impact of the original set. The Clash were plugging Combat Rock so songs from that LP -- the singles "Rock the Casbah," "Should I Stay or Should I Go?" and "Straight to Hell," plus "Ghetto Defendant" and "Know Your Rights," adding up to just under half the album -- sit alongside a heavy chunk of London Calling and early hits, plus a few stabs at Sandinista!. What's added at the end is a mix of their high-octane early material ("White Riot," "Complete Control," "Clash City Rockers," Tommy Gun," "English Civil War") and their more adventurous studio recordings ("The Call Up," "Hitsville UK," "This Is Radio Clash"), adding up to a strong overview of all the band could do. © Stephen Thomas Erlewine /TiVo https://www.youtube.com/watch?v=U96B4e5lZlQ https://www.youtube.com/watch?v=Nc5hqXEBtHY Download from [b]HotLink[/b] https://hotlink.cc/folder/e3ea8c12-6659-11ec-a2c7-0cc47ac4f47e -
Can - Live In Stuttgart 1975 (2021) [96kHz/24bit]
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Can - Live In Stuttgart 1975 (2021) 96-24 Country: Germany Genre: Krautrock,Prog Rock,Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 01:30:02 Full Size: 1.8 GB Can's experimentation and willingness to take unprecedented risks touched every aspect of their music. The Krautrock legends' innovative approach to studio albums produced some of the most exciting results of the entire era of rock music they existed in, but the foundation for their studio brilliance was in their otherworldly powers as a live entity. Live in Stuttgart 1975 captures some of this live magic, documenting the entirety of a 90-minute-long, fully improvised concert made up of five lengthy jams. For the most part, the performances are high-energy and intricate and the band sounds almost supernaturally communicative. Instead of taking turns soloing over sleepy blues-based vamps, Can swing between complex modes that they explore restlessly. Sometimes they'll break into what sounds like familiar material -- a rhythm or a riff that starts to sound like something from Tago Mago -- but these hints of structure never fully materialize. Throughout the set, Can is determined to go new places. The band had just recorded their sixth LP, Landed, which at that point combined both their most high-tech production and their most straightforward jam band material. Some of that excessive jam focus comes through on Stuttgart 1975. The cautious intro to "Zwei" (the album's five pieces are titled with German numerals) has the same lazy shuffle and prismatic guitar noodling as the Grateful Dead during their live sets. That mellowness lasts only a moment before taking one of many quick turns to wilder territory. There are some parallels to the ungrounded freeform of electric Miles Davis and Hendrix's raw live recordings, but there's also some integration of early synthesizers and a rhythmic presence that sounds like Can and Can alone. Whether locked into an airtight groove or exploring noisy chaos, the band moves as a singular organism that doesn't let up for a second. Their studio albums solidified Can's reputation as one of the most important and groundbreaking bands of their time, but Stuttgart 1975 exemplifies how that creative spirit translated to the stage, highlighting yet another side of Can's limitless ability. © Fred Thomas /TiVo https://www.youtube.com/watch?v=qE5qHMO6aLg&t=238s Download from [b]HotLink[/b] https://hotlink.cc/folder/34ef8b97-d449-11eb-a971-0cc47ac4f47e -
The Clash - Live at Shea Stadium 1982 (2013) [96kHz/24bit]
antonsm ha pubblicato una discussione in » Musica HD Flac Lossless
The Clash - Live at Shea Stadium 1982 (2013) 96-24 Country: UK Genre: Punk Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 49:04 Full Size: 1.18 GB https://www.youtube.com/watch?v=oGIFublvDes Download from [b]HotLink[/b] https://hotlink.cc/folder/e3ea8c12-6659-11ec-a2c7-0cc47ac4f47e -
Kiss - Lick It Up (Remastered) 1983 (2021) [96kHz/24bit]
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Kiss - Lick It Up (Remastered) 1983 (2021) 96-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 41:26 Full Size: 980.51 MB Due to the underachievement of their exceptional 1982 comeback album, Creatures of the Night, Kiss knew the time was right to drop the makeup, so in September 1983 the band shocked their fans by unmasking on MTV. Their first non-makeup album, Lick It Up, followed soon after and successfully re-established the band among the heavy metal masses worldwide. Kiss also reconnected with their stateside fans -- Lick It Up was the band's first record to achieve gold status since 1980's Kiss Unmasked. The album's success was spurred by MTV's repeated airing of the imaginative video for the album's strong title track, and songs such as "Exciter," "Not for the Innocent," "A Million to One," and the rap-rocker "All Hell's Breaking Loose" confirmed that the band was back on the right track. Vinnie Vincent again proved to be a worthy replacement to original guitarist Ace Frehley but would unfortunately leave the band after the completion of the Lick It Up worldwide tour (eventually resurfacing with the Vinnie Vincent Invasion in the late '80s). Lick It Up is undoubtedly Kiss' best non-makeup album. © Greg Prato /TiVo https://www.youtube.com/watch?v=Gcj34XixuYg&list=OLAK5uy_lvoCntkgRBgcm5FiWiYKfvnCcN7YE2Ug4&index=3 https://www.youtube.com/watch?v=uZ5pxPWvM88&list=OLAK5uy_lvoCntkgRBgcm5FiWiYKfvnCcN7YE2Ug4&index=7 Download from [b]HotLink[/b] https://hotlink.cc/folder/66cbcd22-4887-11ec-a971-0cc47ac4f47e -
Deep Purple - The Book of Taliesyn 1968 (2015) [96kHz/24bit]
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Deep Purple - The Book of Taliesyn 1968 (2015) 96-24 Country: UK Genre: Prog Rock, Psychedelic Rock,Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 43:56 Full Size: 985.09 MB Several months after the innovative remake of 'You Keep Me Hanging On,' England's answer to Vanilla Fudge, was this early version of Deep Purple, which featured vocalist Rod Evans, and bassist Nick Simper, along with mainstays Ritchie Blackmore, Jon Lord, and Ian Paice. This, their second album, followed on the heels of 'Hush,' a dynamic arrangement of a Joe South tune, far removed from the flavor of one of his own hits, 'Walk a Mile in My Shoes.' Four months later, this album's cover of Neil Diamond's Top 25, 1967 gem 'Kentucky Woman,' went Top 40 for Deep Purple. Also like Vanilla Fudge, the group's own originals were creative, thought-provoking, but not nearly as interesting as their take on cover tunes. Vanilla Fudge did 'Eleanor Rigby,' and Deep Purple respond by going inside 'We Can Work It Out' -- it falls out of nowhere after the progressive rock jam 'Exposition,' Ritchie Blackmore's leads zipping in between Rod Evans smooth and precise vocals. As Vanilla Fudge was progressively leaning more towards psychedelia, here Deep Purple are the opposite. The boys claim to be inspired by the Bard of King Arthur's court in Camelot, Taliesyn. John Vernon Lord, under the art direction of Les Weisbrich, paints a superb wonderland on the album jacket, equal to the madness of Hieronymous Bosch's cover painting used for the third album. Originals 'The Shield' and 'Anthem' make early Syd Barrett Pink Floyd appear punk in comparison. Novel sounds are aided by Lord's dominating keyboards, a signature of this group. „Though 'The Anthem' is more intriguing than the heavy metal thunder of Machine Head, it is overwhelmed by the majesty of their 'River Deep, Mountain High' cover, definitely not the inspiration for the Supremes and Four Tops 1971 hit version. By the time 1972 came around, Deep Purple immersed themselves in dumb lyrics, unforgettable riffs, and a huge presence, much like Black Sabbath. The evolution from progressive to hard rock was complete, but a combination of what they did here -- words that mattered matched by innovative musical passages -- would have been a more pleasing combination. Vanilla Fudge would cut Donovan's 'Season of the Witch,' Deep Purple followed this album by covering his 'Lalena'; both bands abandoned the rewrites their fans found so fascinating. Rod Evans voice was subtle enough to take 'River Deep, Mountain High' to places Ian Gillam might have demolished." (Joe Viglione, AMG) Download from [b]HotLink[/b] https://hotlink.cc/folder/338acc2c-4d34-11ec-a2c7-0cc47ac4f47e -
Dio - Dream Evil (Remastered) 1987 (2014) [96kHz/24bit]
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Dio - Dream Evil (Remastered) ( 2014) 24-96 Country: UK Genre: Hard'n'Heavy Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 43:29 Full Size: 1.01 GB https://www.youtube.com/watch?v=pq330xEyTuY&list=OLAK5uy_kzmDqqfMTa5cJe0bJGSN95DDLbIg1a5PM&index=4 https://www.youtube.com/watch?v=WUqDezHZ7B0 Download from [b]HotLink[/b] https://hotlink.cc/folder/c2d05232-601f-11ec-a2c7-0cc47ac4f47e -
Can - Live in Brighton 1975 (2021) [96kHz/24bit]
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Can - Live in Brighton 1975 (2021) 96-24 Country: Germany Genre: Krautrock,Prog Rock,Psychedelic Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24bit] Time: 01:31:11 Full Size: 1.8 GB Live in Brighton 1975 is the second in an ongoing series of officially released concert recordings by Can, which had previously only seen the light of day as bootlegs. Originating from the same year as the Stuttgart gig, issued earlier in 2021, the Brighton show is much in the same vein, containing 90 minutes' worth of numerically titled improvisations by the band's core lineup of Irmin Schmidt, Jaki Liebezeit, Michael Karoli, and Holger Czukay. While the group's albums were edited down from endless recording sessions, highlighting moments of sublime chemistry that might've sounded like they were planned ahead of time even though they weren't, this is an unfiltered document of the band's free-form live powers, demonstrating their creative process in real time. There's a fair number of meandering moments, but the parts that actually go places are something to behold. "Drei" takes a few minutes to hit on an agile rhythm that effortlessly sprints forward, capturing a lighter-than-air sensation. "Vier" erupts with explosive drumming, shredding guitar noise, and uncontrolled synth flashes before launching into a ragged, volatile rhythm that feels like it could topple over and combust at any second. The synths throughout the opening minutes of "Sechs" emit silvery light, and after the musicians probe alien territory with several minutes of minimalist scraping and buzzing, a beat forms, making the music sound like it's finally standing upright. "Sieben" happens upon traces of the shimmering organ and funky backbeat of "Vitamin C," arguably the group's signature tune, suggesting that the band had something resembling a live repertoire, but of course it's taken in a much different direction here, starting out slow and smoothed out before revving up and gradually expanding and taking flight. Perhaps even more intriguing are the moments during the set that seem to echo songs that hadn't been written yet, like the brief presence of a chord sequence in "Zwei" that resembles that of the Fall's own Can tribute, "I Am Damo Suzuki." These prescient flashes serve as a reminder that Can were nothing if not ahead of their time, and that there's still much to be gained from uncovering previously obscure corners of their body of work. © Paul Simpson /TiVo https://www.youtube.com/watch?v=z2IepPY-8fk https://www.youtube.com/watch?v=lB5R5-odnW0 Download from [b]HotLink[/b] https://hotlink.cc/folder/34ef8b97-d449-11eb-a971-0cc47ac4f47e -
Deep Purple - Made In Japan (Deluxe Edition) (2014) [96kHz/24bit]
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Deep Purple - Made In Japan (Deluxe Edition) (2014) 96-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 02:32:16 Full Size: 3.19 GB https://www.youtube.com/watch?v=XxWSLKU1RbU Download from [b]HotLink[/b] https://hotlink.cc/folder/338acc2c-4d34-11ec-a2c7-0cc47ac4f47e -
Udo Lindenberg - Udopia (Remastered) (2021) [96kHz/24bit]
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Udo Lindenberg - Udopia (Remastered Version) 2013 (2021) 96-24 Country: Germany Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 44:48 Full Size: 955.81 MB Udo Lindenberg veröffentlicht seit 1971 Platten, hat über vier Jahrzehnte immer wieder den Nerv der Zeit getroffen und wie kaum ein anderer die Menschen emotional erreicht. Sein Werk ist Zeitgeschichte − unterhaltsam, politisch, romantisch und tiefgründig zugleich. So etwas schaffen nur sehr wenige Künstler. Seine Arbeit umfasst mehr als 40 Platten (Live- und Studioalben, sowie DVDs), und ein Großteil seines Werkes wurde nun für die Programm-Initiative "HighResAudio" neu in 24-Bit gemastert. "Udo Lindenberg Mastered for HighResAudio" ist bis dato das umfangreichste Projekt, welches in Deutschland in dieses neue Format gebracht wurde. Das Ganze geschah in Düsseldorf, in der Skyline Tonfabrik, wo uns Peter "Jem" Seifert und Kai Blankenberg Einblicke in den Prozess und die Hintergründe des Projekts geben. Die meisten Master waren auf 1/4″-Analogbändern. Warner Music und Universal haben uns ihr komplettes Archiv zugänglich gemacht. Alle Bänder liefen auf 38 cm/Sekunde, teilweise mit Dolby A aufgenommen. Das war schon ein irrer Moment, als wir das erste 1/4″-Band aufgelegt haben: Ball Pompös von 1974, in dem Jahr bin ich geboren! Es lief einwandfrei ohne Abrieb und klang tierisch: Gänsehaut! Nach wie vor eine meiner Lieblings-Udo-Platten. Für jedes Band hat Oliver Gregor (Rockruepel) die Bandmaschine optimal neu eingemessen. Beim Aussteuern der Wandler haben wir auf ca. 6 dB Headroom geachtet und haben ganz leise oder laute Bänder mit einem analogen Verstärker etwas angehoben oder abgesenkt. So haben wir einerseits sichergestellt, immer so nah wie möglich am Originalsound zu bleiben, und hatten andererseits immer einen vergleichbaren Pegel bei den Audiofiles, was für ein schnelles und strukturiertes Arbeiten wichtig war. Udo Lindenberg https://www.youtube.com/watch?v=2KbQ0HgyVsA https://www.youtube.com/watch?v=Wpn4Ur4ucu8 Download from [b]HotLink[/b] https://hotlink.cc/folder/1e07063e-aa81-11eb-a971-0cc47ac4f47e -
The Smashing Pumpkins - Mellon Collie And ..(Deluxe Edition) (2012) [96kHz/24bit]
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The Smashing Pumpkins - Mellon Collie and the Infinite Sadness (Deluxe Edition) (2012) 96-24 Country: USA Genre: Alternative Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 05:51:48 Full Size: 7.28 GB https://www.youtube.com/watch?v=NOG3eus4ZSo https://youtu.be/8-r-V0uK4u0 Download from [b]HotLink[/b] https://www.keeplinks.org/p72/63d7e28d59ed7 -
Frank Zappa - 200 Motels [50th Anniversary] (Soundtrack) [96kHz/24bit]
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Frank Zappa - 200 Motels - 50th Anniversary (Original Soundtrack) 96-24 Country: USA Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 07:16:01 Full Size: 8.45 GB Frank Zappa's "200 Motels" turns 50! This extensive 6-CD box set contains the original soundtrack remastered at Bernie Grundman Mastering with a massive amount of original demos, studio outtakes, work mixes, interviews & movie ads along with newly discovered dialog reels revealing an early audio edit of the film. Contains a replica of the movie poster, custom motel keychain, Do-Not-Disturb motel door hanger & new liner notes from Pamela Des Barres, Ruth Underwood & Vaultmeister, Joe Travers https://www.youtube.com/watch?v=qAqaSXrykdc Download from [b]HotLink[/b] https://hotlink.cc/folder/f4f6acaa-abdf-11eb-a971-0cc47ac4f47e -
Kiss - Killers (Remastered) 1982 (2021) [96kHz/24bit]
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Kiss - Killers (Remastered) 1982 (2021) 96-24 Country: USA Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [96 kHz/24 bit] Time: 56:46 Full Size: 1.3 GB 1981's The Elder was such a bomb worldwide that Kiss' record company outside the U.S., Casablanca/Phonogram, demanded that the band immediately assemble another greatest-hits package to prove to their befuddled fans that they were still a heavy metal group, not experimental prog rockers. Since a greatest-hits set was issued just four years prior in the form of the double LP Double Platinum, the band decided to include four brand-new tracks along with some hits, under the title of Killers (a single album). The new tracks ("I'm a Legend Tonight," "Down on Your Knees," "Nowhere to Run," "Partners in Crime") resembled the Kiss of old more than anything the band had released for a few years by this point (again, guitarist Bob "Alive II" Kulick subs for Ace Frehley). The only hits on Killers that hadn't already appeared on Double Platinum were "I Was Made for Loving You," "Sure Know Something," and "Rock and Roll All Nite (Live)"; the rest were repeats ("Love Gun," "Detroit Rock City," "God of Thunder," "Cold Gin," and "Shout It out Loud"). Killers didn't accomplish what the record company hoped it would -- re-establishing Kiss as chart-toppers -- but it did show their fans outside the U.S. that the band meant business again. [The Australian and Japanese versions of Killers include a slightly different track listing.] © Greg Prato /TiVo https://www.youtube.com/watch?v=PSURhxNYmDw https://www.youtube.com/watch?v=jf8hdBplzls Download from [b]HotLink[/b] https://hotlink.cc/folder/66cbcd22-4887-11ec-a971-0cc47ac4f47e